| Decamps's history of Samson series in context
|
1981 |
Mosby, Dewey F. |
| Bandinelli and Michelangelo : a Problem of artistic identity
|
1981 |
Brandt, Kathleen Weil-Garris |
| Pearls from a dungheap : Andrea Alciati's "offensive" emblem, "adversus naturam peccantes"
|
1981 |
Heckscher, William S. |
| Veronese's Decorum : notes on the Marriage at Cana
|
1981 |
Fehl, Philipp P. |
| Pietro Lombardo's Barbarigo Tomb in the Venetian church of S. Maria della Carita
|
1981 |
Schulz, Anne Markham |
| Van Dyck's early paintings of S. Sebastian
|
1981 |
Martin, John Rupert |
| Alessandro Castellani and Napoleon III
|
1981 |
Francisci Osti, Ornella |
| Examining a fifteen-century "tribute" to Florence
|
1981 |
Hyman, Isabelle |
| Friendship
|
1981 |
Licht, Fred Stephen |
| Lizards and Lizard Lore, with special reference to Caravaggio's Leapin' Lizard
|
1981 |
Posner, Donald |
| The tomb of Doge Nicolò Tron and Venetian renaissance ruler imagery
|
1981 |
Pincus, Debra |
| From Voltaire to Buffon : further observations on nudity, heroic and otherwise
|
1981 |
Colton, Judith |
| Two allegories of the seasons by Simon Vouet and their iconography
|
1981 |
Crelly, William R. |
| Winckelmann, or marble boys are better
|
1981 |
Ettlinger, Leopold D. |
| Barye's Apotheosis pediment for the New Louvre : Napoleon I crowned by History and the Fine Arts
|
1981 |
Benge, Glenn F. |
| Pentimenti in the Chigi Chapel
|
1981 |
Shearman, John K. G. |
| The mask in European art : meanings and functions
|
1981 |
Baraš, Moše |
| Raum - Fläche - Bild : Beobachtungen zur Entwicklung der autonomen Form in den Fresken Raffaels
|
1981 |
Wundram, Manfred |
| The documentation for the contribution of three mid-nineteenth-century exhibitions to the popularization of Japanese art
|
1981 |
Holt, Elizabeth Basye Gilmore |
| The birth of a national icon : Grant Wood's American Gothic
|
1981 |
Corn, Wanda M. |
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