| Francesco Vanni's "The Return of the Holy Family from Egypt" : meaning and technique in counter-Reformation Siena
|
2016 |
Mann, Judith Walker |
| "Halfway between two shores ..." : Rolando Estévez's "La silla"
|
2016 |
Larson, Kim |
| Bathing in the heart of Paris : "L'enseignement mutuel" from Daumier's series "Les baigneurs"
|
2015 |
Valsamas, Maxime |
| Missouri, heart of the nation : art, commerce, and civic pride
|
2015 |
Milanick, Margaret Fairgrieve |
| Situating classical archaeology in the Midwest : the early history of the University of Missouri's plaster cast collection
|
2015 |
DiSalvo, Lauren Kellogg |
| An Eighteenth-century french snuffbox as an object of social status
|
2010 |
Milanick, Margaret Fairgrieve |
| A fifteenth-century French illuminated calendar leaf
|
2008 |
Hansen, Kelli |
| Fission and fusion in Paschke's "Kiss I"
|
2008 |
Graham, Debra J. |
| The icons of Andres Serrano
|
2008 |
Hans, Irina |
| "An ephemeris in jest and earnest" : etchings from the 1846 "Comic Almanack"
|
2005 |
Mallon, MacKenzie |
| The iconographic implications in the reconstructed Picenardi Altarpiece : a typological interpretation
|
2005 |
Stack, Joan |
| Reconstructing a reconstruction : Altobello Melone's "Picenardi altarpiece"
|
2002 |
Land, Norman E. |
| The Missouri murals : studies for the State Capitol decorations
|
2002 |
Ball, Jeffrey L. |
| "David with the Head of Goliath" and the beginning of the Baroque in Naples
|
1996 |
Skoglund, Margaret |
| The story in the Still Life : "Lionel and Clarissa - a comic opera"
|
1996 |
Neal, Christine C. |
| Erotica veneziana : Paris Bordone's "Athena Scorning the Advances of Hephaestus"
|
1996 |
Thede, Christine E. |
| A gold finger ring and the Empress Eudocia
|
1990 |
Biers, Jane C. |
| Kalavasos-Kopetra, 1989 - 1990
|
1990 |
Rautman, Marcus Louis |
| The Baptism of Christ by Hans Rottenhammer
|
1986 |
Ewing, Dan |
| Deciphering the Mississippi River Iconography of Frederick Oakes Sylvester
|
1986 |
Crouther, Betty J. |
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