[Rezension von: I disegni della Fondazione Horne di Firenze: catalogo generale / a cura di Elisabetta Nardinocchi e Matilde Casati, 2023]
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2024 |
Ekserdjian, David |
Six new drawings by Nicolas Lancret at the Musée des Beaux-Arts, Dijon
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2024 |
Moulinier, Axel |
Giambattista Tiepolo's "Scalzi-style" drawings reconsidered : new proposals for the Würzburg Residenz and the Church of the Pietà, Venice
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2024 |
Hicks, Ian |
Hyacinthe Collin de Vermont (1693-1761) : unpublished drawings and projects
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2024 |
Marandet, François |
Botticelli drawings
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2024 |
Wolk-Simon, Linda |
On the Roman drawings of Maarten van Heemskerck
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2024 |
Bevers, Holm |
"Hardly more than a shadow" : apropos drawings by Antonio Palma in the Louvre
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2024 |
Mathelin, Lily |
An introduction to the life and drawings of Robert van den Hoecke
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2024 |
Nevile, Tom |
[Rezension von: Paula Modersohn-Becker 1876-1907: Werkverzeichnis der Handzeichnungen / im Auftrag der Paula-Modersohn-Becker-Stiftung herausgegeben von Anne Röver-Kann und Wolfgang Werner , 2023]
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2024 |
Clarke, Jay A. |
Identifying Anna Alma-Tadema's "Maisie"
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2024 |
Goodin, Alexis |
Hogarth and the making of the "Four Stages of Cruelty"
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2024 |
Tonkovich, Jennifer |
A Renaissance source for "Hope Nursing Love" by Sir Joshua Reynolds
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2024 |
Crack, Peter |
[Rezension von: Drawn to life : master drawings from the age of Rembrandt in the Peck Collection at the Ackland Art Museum / Robert Fucci, 2022]
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2024 |
Plomp, Michiel Christiaan |
Two unpublished watercolors by William Pars in the Klassik Stiftung, Weimar
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2024 |
Pieragostini, Elania |
The Master of the Giants album : a partial reconstruction and attribution
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2024 |
Yarker, Jonny |
Dressed to kill: "Fuseli and the Modern Woman"
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2024 |
Salatino, Kevin |
Hogarth's "Don Quixote"
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2024 |
Sperrin, Dan |
Getting to color : early pastel drawings by Federico Barocci
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2024 |
Baroni, Luca |
Fragmented copies : Wilhelm Stettler's "Eyerstock" as an artistic tool and means of exchange
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2024 |
Kobel, Tamara |
Drawings on colored supports
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2024 |
Ketelsen, Thomas |