| A critical reassessment of six landscape paintings by Charles-François Daubigny belonging to the National Gallery
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2016 |
Herring, Sarah |
| Van Gogh's "Sunflowers" in Lomdon and Amsterdam
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2016 |
Roy, Ashok |
| Not all black and white : drawing in three flower paintings by Paulus Theodorus van Brussel
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2016 |
Billinge, Rachel |
| Fra Bartolommeo's "Virgin adoring the Child with Saint Joseph" : new evidence on its creation and origins
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2016 |
Fischer, Chris |
| Goya's portraits in the National Gallery : their technnique, materials and development
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2016 |
Spring, Marika |
| The conservation history of Titian"s "Diana and Actaeon" and "Diana and Callisto"
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2015 |
Ridge, Jacqueline |
| Titian after 1540 : technique and style in his later works
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2015 |
Dunkerton, Jill |
| Two copies of Perugino's "Baptism of Christ"
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2010 |
Howard, Helen |
| Mastic and Megilp in Reynold's "Lord Heathfield of Gibraltar" : a challenge for conservation
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2010 |
Morrison, Rachel |
| Giorgione and not Giorgione : the conversation history and technical examination of "Il Tramonto"
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2010 |
Dunkerton, Jill |
| In search of Verrocchio the painter : the cleaning and examination of "The Virgin and Child with two angels"
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2010 |
Dunkerton, Jill |
| The "Virgin and Child with an angel", after Francia : a history of error
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2010 |
Roy, Ashok |
| Rembrandt's portrait(s?) of Frederik Rihel
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2010 |
Wieseman, Marjorie E. |
| Velázquez's "Christ after the Flagellation" : technique in context
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2009 |
Keith, Larry |
| Aelbert Cuyp's "Large dort" : colour change and conservation
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2009 |
Spring, Marika |
| Some panels from Sassetta's Sansepolcro altarpiece' revisited
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2009 |
Billinge, Rachel |
| Six paintings by Corot : methods, materials and sources
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2009 |
Herring, Sarah |
| Sebastiano del Piombo's "Raising of Lazarus" : a history of change
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2009 |
Dunkerton, Jill |
| Ways of making : practice and innovation in Cézanne's paintings in the National Gallery
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2008 |
Reissner, Elisabeth |
| Annibale Carracci's "Montalto Madonna"
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2008 |
Keith, Larry |
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