| Unsettling evidence in some panel paintings of Simone Martini
|
1983 |
Frinta, Mojmír Svatopluk |
| Fronts and backs : setting and structure
|
1983 |
Gardner, Julian |
| Observations on fresco technique : Pisanello in Mantua
|
1983 |
Woods-Marsden, Joanna |
| Observations on Simone Martini's frescoes in the Montefiore Chapel at Assisi
|
1983 |
Tintori, Leonetto |
| Infrared photography and Bicci di Lorenzo : a comparison of sinopia drawings and underdrawings
|
1983 |
Walsh, Barbara Buhler |
| Norwegian easel paintings from the period 1250 - 1350
|
1983 |
Plahter, Unn |
| Punch marks - what are they worth? : problems of Tuscan workshop interrelationships in the mid-fourteenth century ; the Ovile Master and Giovanni da Milano
|
1983 |
Skaug, Erling S. |
| La technique de la peinture flamande du XVe siècle
|
1983 |
Périer-D'Ieteren, Catheline |
| Les techniques de peinture murale au Nord des Alpes aux XIVe et XVe siècles et leurs rapports avec les courants stylistiques : etat des connaissances et propositions pour la recherche
|
1983 |
Philippot, Paul |
| Lorenzettian technical influences in a painting of S. Philip by the Master of Figline
|
1983 |
Muller, Norman E. |
| From carpentry analysis to the discovery of symmetry in Trecento painting
|
1983 |
Brink, Joel |
| Effects of technical developments on the history of Italian mural painting of the fourteenth and fifteenth centuries
|
1983 |
Borsook, Eve |
| A contribution to the early chronology of Lippo Memmi
|
1983 |
Polzer, Joseph |
| Il "cartone" non era spesso : il vero significato del cartone da pittura
|
1983 |
Tsuji, Shigeru |
| The role of the sinopie in the Traini cycle in the Camposanto, Pisa
|
1983 |
Dodge, Barbara |
| From polyptych to pala : some structural considerations
|
1983 |
Gardner von Teuffel, Christa |
| The Felicini altarpiece by Francesco Francia : contribution of technical analysis to the solution of a chronological problem
|
1983 |
Rossi-Manaresi, Raffaella |
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