| Ornement et esthétique chez Kant
|
1989 |
Trottein, Serge |
| Pictures inside and outside the head
|
1989 |
Kosslyn, Stephen M. |
| Imperiale und demokratische Repräsentationskunst
|
1989 |
Fillitz, Hermann |
| L' art du monde : le problème des "universaux"
|
1989 |
Chastel, André |
| Geometrical bodies as exemplary forms in Renaissance space
|
1989 |
Kemp, Martin |
| Urbanisme conceptuel
|
1989 |
Corboz, André |
| Depiction and perception
|
1989 |
Peacocke, Christopher |
| Problems of Central European art, c. 1400 : the Thomas de Coloswar altarpiece in Hungary
|
1989 |
Török, Gyöngyi |
| The relation between the abstract and phenomenal elements in the work of Vojtěch Preissig
|
1989 |
Vlček, Tomáš |
| The transfer of Mithraic iconography from Central Asia to Rome
|
1989 |
Lozinski, Bohdan Philip |
| Lace-design methods in late medieval Spain
|
1989 |
Donaire, Alberto |
| Some values of artistic periphery
|
1989 |
Białostocki, Jan |
| Geometric schemes for plant beds and gardens : a contribution to the history of the garden in the sixteenth and seventeenth centuries
|
1989 |
Tongiorgi Tomasi, Lucia |
| Computer grammars for the syntactical analysis of paintings
|
1989 |
Kirsch, Joan L. |
| Tenderness and hegemony : exporting the Virgin Eleousa
|
1989 |
Wharton, Annabel Jane |
| Le cas du surréalisme portugais
|
1989 |
Sobral, Luís de Moura |
| The aesthetic recognition of ancient American art (1492 - 1842)
|
1989 |
Kubler, George |
| Rome, London, and the English provinces between 1720 and 1748
|
1989 |
Sicca, Cinzia Maria |
| Exeter and Italy : assimilation and adaptation of a style ; the question of Italian Trecento sources in the sculptured front of Exeter Cathedral (fourteenth century)
|
1989 |
Muratova, Ksenija D. |
| Le cas de "L'art suisse"
|
1989 |
Gamboni, Dario |
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