| Falling apart and holding together : Kandinsky's development
|
2010 |
Kuspit, Donald B. |
| A new way of approaching the absolute through art : the 'Sacred Mirrors' of Alex Grey
|
2010 |
Gilbert, Julie |
| The reluctant muse : images of "Lucy" in Mark Greenwold's paintings
|
2010 |
Bowditch, Lucy |
| Looking and moving : kinesthetic empathy, dance and the visual arts
|
2010 |
Shane, Robert R. |
| Introducing the world to himself : Robert Rauschenberg and ROCI Chile
|
2010 |
Maza, Josefina de la |
| Speaking directly : an examination of symbol and communication in Allan Kaprow's happenings
|
2010 |
Parkinson, Nick |
| Sexuality and originality in Picasso's creative process : two prints deconstructed
|
2010 |
MacKinnon, Valerie |
| [Rezension von:] Schama, Simon: Power of art. - : BBC Books, 2006
|
2010 |
Kuspit, Donald B. |
| [Rezension von:] Gorky, Arshile: Arshile Gorky : goats on the roof ; a life in letters and documents. - London : Ridinghouse, 2009
|
2010 |
Ries, Martin |
| The "culture industry" and commodification of art
|
2010 |
Edwards, Maria |
| From happenings to conversations : Allan Kaprow's legacy in contemporary "relational" art practices
|
2010 |
Sneed, Gillian |
| The leveling up of performance art in the 20th century
|
2010 |
Stack, Cliona |
| Passion and angst : postwar identity in two dances by Anna Sokolow
|
2010 |
Kosstrin, Hannah |
| Lorraine Shemesh's dancers : the figure as grand abstract gesture
|
2010 |
Kuspit, Donald B. |
| Towards illustration theory : Harold Rosenberg, Robert Weaver, and the "action illustrator"?
|
2009 |
Grove, Jaleen |
| Alfred Stieglitz and "291" : a laboratory for fostering creativity
|
2009 |
Cartwright, Lillian K. |
| Understanding 'The end of art' as a critique of Arthur Danto
|
2009 |
Parker, Rachel C. |
| Contemporary Jewish American art : a short review
|
2009 |
Baigell, Matthew |
| Paths to dissolution : water and abstract art
|
2009 |
Clarke, David J. |
| Aesthetic transcendence and transformation
|
2009 |
Kuspit, Donald B. |
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