After art history? : artworks as data
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2024 |
Brown, Kathryn |
"Spanish" casta paintings in nineteenth-century Britain
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2024 |
Earle, Rebecca |
"Interior decorator is dead"
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2024 |
Friedman, Alice T. |
Sewn in place : gender, materiality, and mapmaking in the early United States
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2024 |
Eager, Elizabeth |
[Rezension von: Cold War camera / Thy Phu, Andrea Noble, Erina Duganne. - 2023]
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2024 |
Collier, Delinda |
Love, luxury, and live spectacle : narrative paintings and women's patronage under the Northern Wei
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2024 |
Xu, Jin |
Dancing through Dada : Suzanne Duchamp's Scottish Espagnole
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2024 |
Kwartler, Talia |
[Rezension von: Jasmine Nichole Cobb: New growth. - 2022]
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2024 |
Barber, Tiffany E. |
Welcome to the gayborhood : Beacon Hill between the wars
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2024 |
Murphy, Kevin D. |
Mineral analogs : Carleton Watkins's photographs and the gold standard
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2024 |
Bravo, Monica |
[Rezension von: Megan Doherty: Engraving accuracy in early modern England. - 2022 // Melissa Lo: Skepticism's pictures. - 2023]
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2024 |
Noyes, Ruth S. |
[Rezension von: Taylor Arnold: Distant viewing. - 2023 // Diana Kamin: Picture-work. - 2023]
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2024 |
Pugh, Emily |
[Rezension von: Grafted arts : art making and taking in the struggle for Western India, 1760-1910 / Holly Shaffer. - 2022 // The place of many moods : Udaipur's painted lands and India's eighteenth century / Dipti Khera. - 2020]
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2024 |
Kavuri-Bauer, Santhi |
Introduction: art history after computer vision
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2024 |
Mansfield, Elizabeth C. |
Computer vision in the Archives
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2024 |
Pugh, Emily |
The identikit problem
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2024 |
Ledbury, Mark |
Data and computer vision
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2024 |
Russell, John |
Cultural evolutionary modeling in the data-driven humanities
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2024 |
Desplanque, Kathryn |
"A different kind of struggle" : Jacob Lawrence's "Hospital" series and the politics of art as therapy
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2024 |
Sheehan, Tanya |
Milk-carton sculpture : Ruth Asawa, geodesic geometry, and the maternal counterculture of the Alvaro School Arts workshop
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2024 |
Troeller, Jordan |