| Knowledge as cultural biography : lives of Mesopotamian monuments
|
2009 |
Feldman, Marian H. |
| Introduction
|
2009 |
Cropper, Elizabeth |
| Simone Martini, Petrarch, and the vernacular poetics of early Renaissance art
|
2009 |
Campbell, C. Jean |
| Multiplying the sacred : the fifteenth-century woodcut as reproduction, surrogate, simulation
|
2009 |
Areford, David S. |
| Illuminating the print : the use of color in fifteenth-century prints and book illumination
|
2009 |
Oltrogge, Doris |
| Woodcuts for reading : the codicology of fifteenth-century blockbooks and woodcut cycles
|
2009 |
Palmer, Nigel F. |
| "In gebeden vnd in bilden geschriben" : prints as exemplars of piety and the culture of the copy in fifteenth-century Germany
|
2009 |
Hamburger, Jeffrey F. |
| Memory and knowledge in Egyptian tomb painting
|
2009 |
Bryan, Betsy Morrell |
| Reading art without writing : interpreting Chimú architectural sculpture
|
2009 |
Pillsbury, Joanne |
| Image matters : the case of Boucher
|
2009 |
Lajer-Burcharth, Ewa |
| Figures of sublimity in Orientalist painting
|
2009 |
Gotlieb, Marc |
| Museum tales of twentieth-century art
|
2009 |
Foster, Hal |
| Prints in the early printing shops
|
2009 |
Needham, Paul |
| Flock prints and paste prints : a technological approach
|
2009 |
Scheld, Alexandra |
| Introduction : the modern historiography of early printmaking
|
2009 |
Parshall, Peter W. |
| Simon Vouet's Hesperus and the mythopoetics of praise
|
2009 |
Rice, Louise |
| The pigments on hand-colored fifteenth-century relief prints from the collections of the National Gallery of Art and the Germanisches Nationalmuseum
|
2009 |
Fletcher, Shelley |
| American art history after 11/2
|
2009 |
Leja, Michael |
| Urakami Gyokudō : an intoxicology of Japanese literati painting
|
2009 |
Lippit, Yukio |
| The importance of vernacular style in Renaissance art : the invention of Simone Martini's Maestà in the Palazzo Communale (sic!) in Siena
|
2009 |
Dempsey, Charles |
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