| How New York became the capital of the 19th-century Paris
|
1966 |
Rewald, John |
| Largillière's portrait of Elizabeth Throckmorton
|
1966 |
Teyssèdre, Bernard |
| The portrait and its double
|
1966 |
Berrigan, Ted |
| Matisse: Fabric vs. flesh
|
1966 |
Stallknecht Wight, Frederick |
| [Rezension von:] Gilot, Francoise; Lake, Carlton: Life with Picasso. - New York
|
1966 |
Swenson, Gene R. |
| Paul Georges paints a nude
|
1966 |
Campbell, Lawrence |
| The image as Counterforce
|
1966 |
Rosenberg, Harold |
| Munch in America
|
1966 |
Stevens, William |
| [Rezension von:] Olivier, Fernande: Picasso and his friends. - London
|
1966 |
Swenson, Gene R. |
| Los Angeles : object lesson
|
1966 |
Coplans, John |
| Climbing Mt. Oldenburg
|
1966 |
Rosenstein, Harris |
| Drexler's dialectical nudes
|
1966 |
Benedikt, Michael |
| [Rezension von:] Kubler, George: The shape of time. - New Haven
|
1966 |
Reinhardt, Ad |
| Short-Range astronomy
|
1966 |
Browne, Rosalind |
| Mondrian and romanticism
|
1966 |
Rosenblum, Robert |
| [Rezension von:] Pope-Hennessy, John Wyndham: Catalogue of Italian sculpture in the Victoria & Albert Museum. - London
|
1966 |
Seymour, Charles |
| Albers on Albers
|
1966 |
Welliver, Neil |
| Sterne: Line and likeness
|
1966 |
Cambell, Lawrence |
| Madonna with child writing
|
1966 |
Miner, Dorothy Eugenia |
| Independence through Interdependence
|
1965 |
La Farge, Henry A. |
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