| Letters from an electrostatic experimenter
|
1990 |
Godown, Linton |
| Art and technology in Hungarian education, conflicts and compromises
|
1990 |
Kárpáti, Andrea |
| Randomness, rules and compositional structure in design
|
1990 |
Eckersley, Michael |
| Tapestry design
|
1990 |
Yun-Fu, Yuan |
| Mind/Senses/Hand : the generative systems program at the Art Institute of Chicago 1970 - 1980
|
1990 |
Sheridan, Sonia Landy |
| Image generation survey: visualizing time via computers
|
1990 |
Sheridan, Sonia Landy |
| Homography : visualizing time
|
1990 |
Sheridan, Sonia Landy |
| [Rezension von:] Faxon, Alicia Craig: Dante Gabriel Rossetti. - Oxford : Phaidon Press, 1989
|
1990 |
Cooper, John W. |
| The meteorological odyssey of Vincent van Gogh
|
1990 |
Gedzelman, Stanley David |
| The Academy of Media Arts Cologne
|
1990 |
Hagebölling, Heide |
| The Transcendental Machine? : a comparison of digital photography and Nineteenth-Century modes of photographic representation
|
1990 |
Hulick, Diana Emery |
| Denman Ross : an early theory of perceptual correspondences of sound and visual qualities
|
1990 |
McWhinnie, Harold J. |
| [Rezension von:] Bown, Matthew Cullerne: Contemporary Russian art. - Oxford, 1989
|
1990 |
Belik, Eva |
| Space art : a call for a space art ethics committee
|
1990 |
Philippe, Jean-Marc |
| Image generation survey: electrostatics
|
1990 |
Sheridan, Sonia Landy |
| [Rezension von:] Jaki, Stanley L.: The physicist as artist : the landscapes of Pierre Duhem. - Edinburgh, 1988
|
1990 |
Topper, David R. |
| Perception and notation : a core curriculum in the arts
|
1990 |
West, Edward |
| Experiments with mirror reflections
|
1990 |
Asakura, Naomi |
| Creativity in concert with the natural world
|
1990 |
Geuer, Juan |
| The Leonardo paradox : imagining the ultimately creative computer
|
1990 |
Mueller, Robert Emmett |
Tag hinzufügen