| Mineral analogs : Carleton Watkins's photographs and the gold standard
|
2024 |
Bravo, Monica |
| [Rezension von: Megan Doherty: Engraving accuracy in early modern England. - 2022 // Melissa Lo: Skepticism's pictures. - 2023]
|
2024 |
Noyes, Ruth S. |
| [Rezension von: Taylor Arnold: Distant viewing. - 2023 // Diana Kamin: Picture-work. - 2023]
|
2024 |
Pugh, Emily |
| [Rezension von: Grafted arts : art making and taking in the struggle for Western India, 1760-1910 / Holly Shaffer. - 2022 // The place of many moods : Udaipur's painted lands and India's eighteenth century / Dipti Khera. - 2020]
|
2024 |
Kavuri-Bauer, Santhi |
| Introduction: art history after computer vision
|
2024 |
Mansfield, Elizabeth C. |
| Computer vision in the Archives
|
2024 |
Pugh, Emily |
| The identikit problem
|
2024 |
Ledbury, Mark |
| Data and computer vision
|
2024 |
Russell, John |
| Cultural evolutionary modeling in the data-driven humanities
|
2024 |
Desplanque, Kathryn |
| "A different kind of struggle" : Jacob Lawrence's "Hospital" series and the politics of art as therapy
|
2024 |
Sheehan, Tanya |
| Closer looking : computer vision in material studies of art
|
2024 |
Mintie, Katherine |
| Icons of the Nursing Virgin in fifteenth-century Ethiopia
|
2024 |
Sperling, Jutta Gisela |
| Bound and boarded: policing Native motherhood in US art and culture
|
2024 |
Klein, Shana |
| The materials of shame : decoration, masculinity, and the birth of modern interior design
|
2024 |
Potvin, John |
| Queering the minimalist interior
|
2024 |
Rohan, Timothy M. |
| Milk-carton sculpture : Ruth Asawa, geodesic geometry, and the maternal counterculture of the Alvaro School Arts workshop
|
2024 |
Troeller, Jordan |
| Digital art history as critical AI
|
2024 |
Impett, Leonardo |
| The fragility of solace : pothos and memory in late Roman gold-glass portraiture
|
2024 |
Patt, Rachel Catherine |
| Constable as a voyage of discovery
|
2024 |
Taylor, Damian |
| [Rezension von: Splendeurs des oasis d'Ouzbékistan : sur les routes caravanières d'Asie centrale : [exposition, Paris, Musée du Louvre, 24 novembre 2022 au 6 mars 2023] / sous la direction de Rocco Rante et Yannick Lintz, avec la collaboration de Monique Buresi. - 2022 // Sur les routes de Samarcande : merveilles de soie et d'or : [exposition, Institut du monde arabe, 23 novembre 2022 au 4 juin 2023] / [commissariat Yaffa Assouline,... Elodie Bouffard, Philippe Castro et Iman Moinzadeh,...]. - 2022]
|
2024 |
Zhurauliova, Tatsiana |
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