| Karl Schmidt-Rottluff's "Portrait of Emy" : a moment of transition
|
1997 |
Benson, Timothy O. |
| "Panama Girls" : Ernst Ludwig Kirchner and the Urban Cabaret
|
1997 |
Lloyd, Jill |
| A "gnostic" triptych by Anselm Kiefer
|
1997 |
Neff, John Hallmark |
| Lyonel Feininger's "The Green Bridge II" : notes on war and memory
|
1997 |
Nisbet, Peter |
| "Two Nude Figures in a Landscape" : a new attribution
|
1997 |
Lüttichau, Mario-Andreas von |
| Riemenschneider's St. Catherine in the North Carolina Museum of Art
|
1977 |
Bier, Justus |
| A marble bust by Nollekens
|
1977 |
Kenworthy-Browne, John |
| Benvenuto Cellini and the Scuola Fiorentina
|
1976 |
Davis, Charles |
| Justus Bier : man of vision
|
1974 |
Witt, Inge |
| A bibliography of the writings of Justus Bier
|
1974 |
Witt, Inge |
| Pictorial precedents for the representation of Doge Lionardo Loredano in Batoni's Triumph of Venice
|
1973 |
Fehl, Philipp P. |
| Two Gothic altar wings in Raleigh
|
1973 |
Bier, Justus |
| The placement of Canova's Hercules and Lichas in the Palazzo Torlonia : (with a note on Stendhal's response to the work)
|
1972 |
Fehl, Philipp P. |
| Biography of DR. Robert Lee Humber
|
1971 |
|
| Three black artists
|
1971 |
Rennie, Dorothy |
| Albrecht Dürer's life and work
|
1971 |
Bier, Justus |
| Clemens Sommer as a teacher
|
1970 |
Hill, May Davis |
| Master E. S. and a gothic mother-of-pearl roundel
|
1970 |
Koch, Robert A. |
| The St. Matthew page in the "Hours of Catherine of Cleves"
|
1970 |
Minott, Charles Ilsley |
| Quentin Massys' "Salvator Mundi"
|
1970 |
Ferber, Stanley |
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