High art, high artists
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2024 |
Fokt, Simon |
Imagining dinosaurs
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2024 |
Xhignesse, Michel-Antoine |
Autonomy and community in Kant's theory of taste
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2024 |
Williams, Jessica J. |
Disagreement in aesthetics and ethics : against the received image
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2024 |
Guerreiro, Victor |
Toward a responsible artistic agency : mindful representation of fat communities in popular media
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2024 |
Frazier, Cheryl |
The aesthetic analysis of a garden
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2024 |
Fenner, David E. W. |
Experiencing atmospheres in paintings
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2024 |
Jagnow, René |
Artistic manner as autonomy : creative freedom and the constraint of rules in Vasari, Bellori and Kant
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2024 |
Reiter, Aviv |
[Rezension von: Hegel and the present of art's past character / Alberto L. Siani. - New York ; London : Routledge, 2024. - (Routledge studies in nineteenth-century philosophy)]
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2024 |
Kottman, Paul A. |
Speaking of Godot : fiction, reference, and indeterminate identities
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2024 |
Alward, Peter |
Aesthetics in biodiversity conservation
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2024 |
Mikkonen, Jukka |
The aesthetic mediation of cultural memory : two case studies from Papua New Guinea and Kimberley, Australia
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2024 |
Mortu, Ancuta |
Canon and cultural negotiation
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2024 |
Hick, Darren Hudson |
[Rezension von: The philosophy of curatorial practice : between work and world / Sue Spaid. - London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic, 2020]
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2024 |
Di Summa-Knoop, Laura T. |
Thinking the aesthetic : towards a noetic conception of aesthetic experience : the 2023 Richard Wollheim memorial lecture
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2024 |
Schellekens, Elisabeth |
To close to nature : on the representational problems of death masks and life casts
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2024 |
Berryman, Jim |
Iconoclasm, speculative realism, and sympathetic magic
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2023 |
Rich, Sara A. |
Te heahea me ngā toi, te hikohiko: productive idiocy, mātauranga Māori and art-activism strategies in Aotearoa/New Zealand
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2023 |
Harvey, Mark S. |
Graffiti writing as creative activism : getting up, sheeplike subversion, and everyday resistance
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2023 |
Baldini, Andrea Lorenzo |
Literary indiscernibles, referential forgery, and the possibility of allographic art
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2023 |
Spinella, Jake |