| Les sources de l'innovation dans l'art
|
1968 |
Ovsjannikov, Michail Fedotovič |
| Zur Theorie des "Unvollendeten" in der Kunst
|
1968 |
Lützeler, Heinrich |
| The new concept of art in industrial design
|
1968 |
Ovink, G. Willem |
| Problems in the classification of contemporary works of plastik art in motion
|
1968 |
Popper, Frank |
| Der künstlerische Fortschritt und seine Stimuli
|
1968 |
Rasumny, W. |
| Sentimentality in religious art
|
1968 |
Butler, John F. |
| Some problems in the classification "Junk Object"
|
1968 |
Amyx, Clifford |
| L' art-religion de l'homme moderne
|
1968 |
Flam, Léopold |
| Il significato della pittura informale
|
1968 |
Guaraldi, Antonella |
| Realism in art
|
1968 |
Sayre, Woodrow Wilson |
| Die Begegnung mit der modernen europäischen Malerei
|
1968 |
Nishida, Hideho |
| The space creations of G. Th. Rietveld
|
1968 |
Singelenberg, Pieter |
| Die essentielle Vieldeutigkeit des ästhetischen Gegenstandes
|
1968 |
Blumenberg, Hans |
| Logical and metaphysical differences between works of art, objets trouvés, and natural objects
|
1968 |
Fröhlich, Fanchon |
| Le perenni difficoltà dell'esteticas architettonica
|
1968 |
Cavallari-Murat, Augusto |
| Medieval art as language
|
1968 |
Wallis, Mieczysław |
| Sur un âge du goût pictural
|
1968 |
Frances, Robert |
| Convention, revolt and innovation in contemporary church architecture
|
1968 |
Austin, Holcombe M. |
| Explication artistique
|
1968 |
Gołaszewska, Maria |
| Disproportion as a principle of art
|
1968 |
Heinemann, Fritz H. |
Tag hinzufügen