[Rezension von:] Parker, Roszika: The Subversive stitch
|
1985 |
Gatt, Debbie |
Sculpture and architecture : the contradictory evidence
|
1985 |
Jones, Gareth |
The site of ruined intentions : 'Les Immatériaux', Centre Georges Pompidou, Paris 28 March - 15 July, 1985
|
1985 |
Banks, Glyn |
Cisitalia
|
1985 |
Nahum, Andrew |
Art camouflaged as furniture
|
1985 |
Warner, Patricia |
A Woodchopper's Ball at Agnew's
|
1985 |
Ormond, Richard |
Munch, melodrama and modernism
|
1985 |
Overy, Paul |
Matta's multiple awareness
|
1985 |
Overy, Paul |
New sculpture by Rela Banks
|
1985 |
Amaya, Mario |
[Rezension von:] Berger, John: And our faces, my heart, brief as photos. - London, 1984
|
1985 |
Coleman, John |
Flames in places : Magdalena Jetelová ; Riverside Studios, London
|
1985 |
Collier, Caroline |
White horses ... : Christopher Le Brun
|
1985 |
Collier, Caroline |
The second Australian Sculpture Triennial at the National Gallery of Victoria, Melbourne
|
1985 |
Carmichael, Rod |
Romancing the shape : progress to Oceania ; John Wolker: Paintings from the Alba and Oceania Series 1979 - 84, Hayward Gallery ; and Prints 1976 - 84, Tate Gallery
|
1985 |
Collier, Caroline |
Time's chariots : Edward Allington, Riverside Studios and Lisson Gallery, London
|
1985 |
Collier, Caroline |
Art and time : regarding the Fourth Dimension ; Musée Rath, Geneva, 16th February to 14th April 1985
|
1985 |
Annear, Judy |
Twenty years on : a review of histories of Spanish architecture over two decades
|
1985 |
López-Peláez, José Manuel |
[Rezension von:] Passuth, Krisztina: Moholy monographed : Moholy-Nagy. - London
|
1985 |
Overy, Paul |
Doppelgänger : interview with Stephen Willats
|
1985 |
Payne, Antonia |
Art and the mass media, changing options
|
1985 |
Roberts, John |