"Pictures fertile with truth" : how Christians managed to make images of God without violating the second commandment
|
1992 |
Kessler, Herbert L. |
The earliest Eleousa : a Coptic ivory in the Walters Art Gallery
|
1990 |
Bergman, Robert P. |
Some Cretan icons in the Walters Art Gallery
|
1990 |
Basilakē, Maria |
Jaume Cascalls : un nombre para el maestro del Tríptico de Baltimore
|
1990 |
Alcoy, Rosa |
A terracotta Joseph attributed to Civitale : its authenticity vindicated
|
1990 |
Spicer, Joaneath Ann |
Modular assemblages : reconstruction the choir clerestory glazing of Soissons Cathedral
|
1990 |
Caviness, Madeline Harrison |
Antwerp mannerist model drawings in French Renaissance books of hours : a case study of the 1520s Hours Workshop
|
1989 |
Orth, Myra Dickman |
Sèvres, la Chine et les "chinoiseries" au XVIIIe siècle
|
1989 |
Préaud, Tamara |
A still life by Joris van Son
|
1989 |
Seidler, Ruth |
Doré in the Highlands
|
1989 |
Simon, Robert B. |
Un pannello di Marco Cardisco alla Walters Art Gallery
|
1989 |
Leone de Castris, Pierluigi |
The byzantine openwork gold plaque in the Walters Art Gallery
|
1989 |
Yeroulanou, Aimilia |
A rediscovered work by Hugo van der Goes
|
1988 |
Grimm, Claus |
A mid-fifteenth century book of hours from Bruges in The Walters Art Gallery (MS. 721) and its relation to the Turin-Milan Hours
|
1988 |
Smeyers, Maurits |
The conservation of Hugo van der Goes's Portrait of a Donor with St. John the Baptist in The Walters Art Gallery
|
1988 |
Gordon, Eric |
Unknown Carolingian drawings of Hercules from the Scriptorium of Reims, and the Cathedra Petris ivories
|
1988 |
Nees, Lawrence |
Bogus Byzantine enamels in Baltimore and Washington, D.C.
|
1988 |
Buckton, David |
A technical study of three cloisonné enamels from the Botkin Collection
|
1988 |
Stromberg, Constance |
Wilhelm Stetter's Adoration of the Magi and a consideration of Stetter's painting
|
1988 |
Zafran, Eric |
Early Christian and Byzantine rings in the Zucker Family Collection
|
1987 |
Vikan, Gary |