| Courbet's "Baigneuses" and the rhetorical feminine image
|
1972 |
Farwell, Beatrice |
| Ingres and the erotic intellect
|
1972 |
Connolly, John L. |
| The corset as erotic alchemy : From rococo galanterie to Montaut's physiologies
|
1972 |
Kunzle, David |
| Manet, 'Olympia' and pornographic photography
|
1972 |
Needham, Gerald |
| Vampires, virgins and voyeurs in imperial Vienna
|
1972 |
Comini, Alessandra |
| The femme fatale and her sisters
|
1972 |
Kingsbury, Martha |
| Eroticism and female imagery in nineteenth-century art
|
1972 |
Nochlin, Linda |
| Henry Fuseli's "Nightmare" : eroticism or pornography?
|
1972 |
Allentuck, Marcial |
| Renoir's sensuous women
|
1972 |
White, Barbara Ehrlich |
| Caritas Romana after 1760 : some romantic lactations
|
1972 |
Rosenblum, Robert |
| Pinup and icon
|
1972 |
Hess, Thomas B. |
| Picasso's suite 347, or painting as an act of love
|
1972 |
Schiff, Gert |
| The Great Venetians
|
1971 |
Pignatti, Terisio |
| Fragonard : painterly and nonpainterly in the France of Louis XVI
|
1971 |
Watson, Francis John Bagott |
| Willem de Kooning
|
1971 |
Ashbery, John |
| Painterly vs. painted : (the new "painterly" abstraction is found lost in the painted)
|
1971 |
Ratcliff, Carter |
| Hans Hofmann : (abstract-expressionism and color in New York, 1945 - 65)
|
1971 |
Baker, Elizabeth C. |
| Roman illusionism
|
1971 |
Nodelman, Sheldon |
| The sketch : (its function in the hands of three masters: Rubens, Rembrandt, Jan Brueghel)
|
1971 |
Haverkamp-Begemann, Egbert |
| Thoughts about painterly
|
1971 |
Finkelstein, Louis |
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