| [Rezension von: I disegni della Fondazione Horne di Firenze: catalogo generale / a cura di Elisabetta Nardinocchi e Matilde Casati, 2023]
|
2024 |
Ekserdjian, David |
| Six new drawings by Nicolas Lancret at the Musée des Beaux-Arts, Dijon
|
2024 |
Moulinier, Axel |
| Giambattista Tiepolo's "Scalzi-style" drawings reconsidered : new proposals for the Würzburg Residenz and the Church of the Pietà, Venice
|
2024 |
Hicks, Ian |
| Hyacinthe Collin de Vermont (1693-1761) : unpublished drawings and projects
|
2024 |
Marandet, François |
| Botticelli drawings
|
2024 |
Wolk-Simon, Linda |
| On the Roman drawings of Maarten van Heemskerck
|
2024 |
Bevers, Holm |
| Identifying Anna Alma-Tadema's "Maisie"
|
2024 |
Goodin, Alexis |
| Hogarth and the making of the "Four Stages of Cruelty"
|
2024 |
Tonkovich, Jennifer |
| A Renaissance source for "Hope Nursing Love" by Sir Joshua Reynolds
|
2024 |
Crack, Peter |
| [Rezension von: Drawn to life : master drawings from the age of Rembrandt in the Peck Collection at the Ackland Art Museum / Robert Fucci, 2022]
|
2024 |
Plomp, Michiel Christiaan |
| Two unpublished watercolors by William Pars in the Klassik Stiftung, Weimar
|
2024 |
Pieragostini, Elania |
| The Master of the Giants album : a partial reconstruction and attribution
|
2024 |
Yarker, Jonny |
| Dressed to kill: "Fuseli and the Modern Woman"
|
2024 |
Salatino, Kevin |
| Hogarth's "Don Quixote"
|
2024 |
Sperrin, Dan |
| Getting to color : early pastel drawings by Federico Barocci
|
2024 |
Baroni, Luca |
| Fragmented copies : Wilhelm Stettler's "Eyerstock" as an artistic tool and means of exchange
|
2024 |
Kobel, Tamara |
| Drawings on colored supports
|
2024 |
Ketelsen, Thomas |
| Gribouillage/Scarabocchio : de Léonard de Vinci à Cy Twombly
|
2024 |
Jardat, Ulysse |
| "Hardly more than a shadow" : apropos drawings by Antonio Palma in the Louvre
|
2024 |
Mathelin, Lily |
| An introduction to the life and drawings of Robert van den Hoecke
|
2024 |
Nevile, Tom |
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