| Goya's critical witnessing : [Rezension von: Francisco de Goya and the art of critique / Anthony J. Cascardi. - New York : Zone Books, 2022 // The art of witnessing : Francisco de Goya's "Disasters of war" / Michael Iarocci. - Toronto ; Buffalo ; London : University of Toronto Press, [2023]. - (Toronto Iberic) // Goya and the mystery of reading]
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2024 |
Cerón, Mercedes |
| Notes on a fragment: Zarina's "Dividing Line"
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2024 |
Kumar, Aparna |
| Land Art Submerged : Betty Beaumont's "Ocean Landmark" and art history beyond proximity
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2024 |
Curtis, Francesca |
| Introduction: political ecologies of paper in early modern art, 1500-1800
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2024 |
Brisman, Shira |
| Octopodal pictorialia : the self-reflexivity of the octopus in Graeco-Roman arts
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2024 |
Bates, Albert |
| Imaging authority, authorship and mortality in late medieval and early modern Europe : [Rezension von: The death arts in Renaissance England : a critical anthology / edited by William E. Engel, University of the Sout, Sewanee, Rory Loughnane, University of Kent, Grant Williams, Carleton University, Ottawa. - Cambridge : Cambridge University Press, [2022] // The birth of the author : pictorial prefaces in glossed books of the twelfth century / Jeffrey F. Hamburger. - Toronto, Ontario, Canada : PIMS, Pontifical Institute of Mediaeval Studies, [2021]. - (Studies and texts / Pontifical Institute of Mediaeval Studies ; 225)(Text, image, context ; 9) // Early colour printing : German Renaissance woodcuts at the British Museum / Elizabeth Savage. - London : Paul Holberton Publishing, [2021]]
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2024 |
Murray, Patrick J. |
| Paper and textile encounters in the pacific
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2024 |
Fowler, Caroline O. |
| The challenge of Kosovo
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2024 |
Maniura, Robert |
| The past in the present : Eleanor Antin, Jewish art and 1990s America
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2024 |
Julius, Chloë |
| Community as Gesamtkunstwerk : Dick Ket's self-portraiture and the debt of epic film
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2024 |
Lebas Huber, Stephanie |
| Material masquerade : porcelain, sugar, and race on the eighteenth-century French dining table
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2024 |
Caticha, Alicia |
| Where is the Muranów Lily? : unearthing traces of queer Jewishness in contemporary Warsaw
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2024 |
Gajowy, Aleksandra |
| Monumental ephemera : British sculpture in the Arctic, icebergs in London, an Inuit map
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2024 |
Cheetham, Mark A. |
| Palpable privilege and performative stones : [Rezension von: The mineral and the visual : precious stones in medieval secular culture / Brigitte Buettner. - University Park, Pennsylvania : The Pennsylvania State University Press, [2022]]
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2024 |
Pointon, Marcia |
| Figure, ground and the logic of painting : [Rezension von: Groundwork : a history of the Renaissance picture / David Young Kim. - Princeton ; Oxford : Princeton University Press, [2022]]
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2024 |
Nygren, Christopher J. |
| The AIA 1951 Lithographs : contesting national identity in intermodern prints
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2024 |
Clegg, Michael |
| When art history meets artificial intelligence : [Rezension von: Computational formalism : art history and machine learning / Amanda Wasielewski. - Cambridge, Massachusetts : The MIT Press, [2023]. - (Leonardo)]
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2024 |
Brown, Kathryn |
| Printed design proposals as salvaged remainders of the goldsmith's workshop
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2024 |
Brisman, Shira |
| Eros, inc.: Cupid, capital, and the crash of 1720
|
2024 |
Dubin, Nina L. |
| Ecology, pathology, and the life of paper
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2024 |
Gagné, John |
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