| Eros, inc.: Cupid, capital, and the crash of 1720
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2024 |
Dubin, Nina L. |
| Ecology, pathology, and the life of paper
|
2024 |
Gagné, John |
| The form of memory : Delacroix and the sketchbook
|
2024 |
Olmsted, Jennifer W. |
| The invisible sainthood of Mariana de Jesús Paredes y Flores
|
2024 |
Friedman, Hannah Joy |
| May Morris, Egypt, and coptic textiles
|
2024 |
Cooper, Thomas |
| Voices of resistance: unveiling feminist art in Latin America : [Rezension von: The political body : stories on art, feminism, and emancipation in Latin America / Andrea Giunta ; translated by Jane Brodie. - Oakland, California : University of California Press, [2023]. - (Studies on Latin American art ; 6) // Dissident practices : Brazilian women artists, 1960s-2020s / Claudia Calirman. - Durham : Duke University Press, [2023]]
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2024 |
Sassu Suarez Ferri, Natalia |
| Laissez-passer: papering over the French revolutionary past
|
2024 |
Taws, Richard |
| Twentieth-century Italian art and the politics of display : [Rezension von: Curating Fascism : exhibitions and memory from the fall of Mussolini to today / edited by Sharon Hecker and Raffaele Bedarida. - London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, [2023]. - (Visual cultures and Italian contexts // Exhibiting Italian art in the United States from futurism to Arte Povera : "like a giant screen" / by Raffaele Bedarida. - New York ; London : Routledge, Taylor & Francis Group, 2022. - (Routledge research in art museums and exhibitions)]
|
2024 |
Minnucci, Roberta |
| Séances, art and embodied affordances : [Rezension von: Modern spiritualism and Scottish art : Scots, spirits and séances, 1860-1940 / Michelle Foot. - London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, 2023. - (Bloomsbury collections) // The art of ectoplasm encounters with Winnipegs Ghost photographs / edited by Serena Keshavjee, 2023]
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2024 |
Andrick, John M. |
| Elected affinities : [Rezension von: The geometries of Afro Asia : art beyond solidarity / Joan Kee. - Oakland, California : University of California Press, [2023]]
|
2024 |
Noor, Tausif |
| From Rome to Rabat : Carla Accardi's encounters with Moroccan modernism
|
2024 |
Morale, Giulia |
| Bernini's braids and the intimacies of stone
|
2024 |
Lloyd, Karen J. |
| Nineteenth-century intersex bodies and the "appearance of a double sex" : Nadar's medical anti-illustration
|
2024 |
McBryde, Brynne |
| Pressing buttons : Kodak, advertising psychotechnics, and the politics of graphic design, c. 1915
|
2024 |
Greenhill, Jennifer A. |
| Working carefully
|
2024 |
Bradnock, Lucy |
| Please walk on this : Gutai and the emergence of walkable art
|
2024 |
Tymkiw, Michael |
| Against plantation future : [Rezension von: White sight : visual politics and practices of whiteness / Nicholas Mirzoeff. - Cambridge, Massachusetts ; London, England : The MIT Press, [2023]. - x, 339 Seiten : Illustrationen, Karten . - ISBN: 978-0-262-04767-8
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2024 |
Majewska, Martyna Ewa |
| Courbet's substance : [Rezension von: Courbet's landscapes : the origins of modern painting / Paul Galvez ; copyedited by Rosalind Neely. - New Haven ; London : Yale University Press, 2022]
|
2024 |
Misteli, David |
| Unchanging form : [Rezension von: Henry van de Velde : selected essays, 1889-1914 / edited by Katherine M. Kuenzli ; translated by Elizabeth Tucker. - Los Angeles : Getty Research Institute, [2022]. - (Texts & documents) // The absolute realist : collected writings of Albert Renger-Patzsch, 1923-1967 / edited and translated by Daniel H. Magilow. - Los Angeles : Getty Research Institute, [2022]]
|
2024 |
Luke, Megan R. |
| Paper as artistic medium at the Ottoman Court
|
2024 |
Fetvacı, Emine |
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