| Art and language : the contest for the modern
|
1989 |
Harrison, Charles |
| Annibale Carraci's self portraits and the Paragone Debate
|
1989 |
Winner, Matthias |
| The image of the artist in Diderot's Salons
|
1989 |
Lochhead, Ian J. |
| Artist and artisan in the age of industry : professional redefinition from the Pre-Raphaelite Brotherhood to the Arts and Crafts movement
|
1989 |
Lutchmansingh, Larry D. |
| Caspar David Friedrich : the Monk on the Seashore
|
1989 |
Boime, Albert |
| The devil's writing : diabolic literacy in medieval art
|
1989 |
Camille, Michael |
| Hieroglyphs - signs and art
|
1989 |
Hornung, Erik |
| Picasso's 1912 'Papiers Collés' : "La bataille s'est engagée"
|
1989 |
Johnson, Diane Chalmers |
| Albrecht Dürer : die Entwicklung seines Selbstbewußtseins im Spiegel von Selbstbildnissen u. Schriften
|
1989 |
Ullmann, Ernst |
| Geadelte Künstler
|
1989 |
Warnke, Martin |
| La epigrafía en el arte novohispano del siglo XVI
|
1989 |
Estrada de Gerlero, Elena Isabel |
| Unnoticed self-representations of Romanesque sculptors in twelfth-century France
|
1989 |
Kenaʿan-Ḳedar, Nurit |
| The role of the written word in the early frescoes in the Campo Santo of Pisa
|
1989 |
Polzer, Joseph |
| Diction in the "Bibles of the Illiterate"
|
1989 |
Kessler, Herbert Leon |
| L' artiste créateur d'un musée pour son oeuvre : l' exemple de Gustave Moreau
|
1989 |
Lacambre, Geneviève |
| Liberal academicians and the new social elite in grand ducal Florence
|
1989 |
Barzman, Karen-edis |
| Eine grimassierende Selbstdarstellung Berninis
|
1989 |
Preimesberger, Rudolf |
| The prince as artisan and artist
|
1989 |
Liebenwein, Wolfgang |
| The self-created Bandinelli
|
1989 |
Brandt, Kathleen Weil-Garris |
| The sculptor's self-image from Falconet to David d'Angers
|
1989 |
West, Alison |
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