The crossbow of count Ulrich V of Württemberg
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2009 |
Breiding, Dirk H. |
Joseph Wright's pastel Portrait of a Woman, part II : sources, meaning, and context
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2009 |
MacPhee, Constance Curran |
Joseph Wright's pastel Portrait of a Woman, part III : technique and aesthetics
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2009 |
Shelley, Marjorie |
A tale of two sultans, part I : Fragonards real and fake
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2009 |
Stein, Perrin |
Thomas Moran's Colburn's Butte, South Utah : forgotten landmark of a lost friendship
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2009 |
Avery, Kevin J. |
"Handelar's Black Choir" from château to mansion
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2009 |
Miller, Paul F. |
A tale of two sultans, part II : the materials and techniques of an original drawing by Fragonard and a copy
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2009 |
Shelley, Marjorie |
A Grisaille oil sketch from the "De Backer Group" and workshop practices in sixteenth-century Antwerp
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2008 |
Leuschner, Eckhard |
Neapolitan metalwork in New York : viceregal patronage and the theme of the Virgin of the Immaculate Conception
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2008 |
D'Agostino, Paola |
Adélaide Labille-Guiard's pastel studies of the Mesdames de France
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2008 |
De Jesús, Mary Sprinson |
James Duncan of Benmore, the first owner of Renoir's Bay of Naples (Morning)
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2008 |
McDonald Watson, Andrew |
Harry Burton's photographs of the Metropolitan's excavations at Deir el-Bahri
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2007 |
Schwarz, Bruce |
Pastels by Gerrit Schipper in the Metropolitan Museum
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2007 |
Meschutt, David |
The sun, the moon, and an eclipse : observations on The crucifixion with the Virgin and Saint John, by Hendrick Ter Brugghen
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2007 |
Nickel, Helmut |
"Canaletti Painting" : on Turner, Canaletto, and Venice
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2007 |
Baetjer, Katharine |
A double headed eagle embroidery : analysis and conservation
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2006 |
Colburn, Kathrin |
Daniel Chester French, Paul Manship, and the John Pierpont Morgan Memorial for the Metropolitan Museum
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2006 |
Tolles, Thayer |
Bertel Thorvaldsen's Nessus Abducting Deianira
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2006 |
Wardropper, Ian |
Studi dal vivo e dal non più vivo : Carpaccio's passion paintings with Saint Job
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2006 |
Blass-Simmen, Brigit |
Two allegorical sculptures by Francesco Ladatte
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2006 |
Raggio, Olga |