| Arnold Schönbergs 'Glückliche Hand', Synästhesie und Gesamtkunstwerk in Wien um 1910
|
1985 |
Werkner, Patrick |
| Zu Stil und Ikonographie der Dresdner Oper von Gottfried Semper
|
1985 |
Magirius, Heinrich |
| Beobachtungen zum Empfang Heinrichs III. in Italien (1574)
|
1985 |
Verheyen, Egon |
| L' évolution des rapports entre les créateurs au 20ème siècle : le ballet et l'échange
|
1985 |
Mussat, Marie-Claire |
| Paul Klee and music
|
1985 |
Moe, Ole Henrik |
| El "Teatro de Arte" de Gregorio Martinez Sierra en Madrid
|
1985 |
Reyero, Carlos |
| Musica, arte e spettacolo nella didattica dell'animazione in Italia
|
1985 |
Tabarelli, Umberto |
| Das bulgarische Bühnenbild (1846 - 1974)
|
1985 |
Dinova-Ruseva, Vera |
| On the description of movement in Vasari's Lives
|
1985 |
Fermor, Sharon |
| The Heroic Drama in Art : 18th-Century Theatre and Grand-Style History Painting
|
1985 |
Abrams, Ann Uhry |
| Synesthésis, correspondances et convergence des arts : un mythe de l'unité perdue?
|
1985 |
Junod, Philippe |
| Music and Spectacle in the New Hungarian Art
|
1985 |
Keserü, Katalin |
| Exploring the Walls of Karlsgasse : No. 4: Idols and Images of Johannes Brahms in Vienna
|
1985 |
Comini, Alessandra |
| Wien 1920 - 1930 : Musik, Theater und bildende Kunst zwischen Expressionismus und Neuer Gestaltung
|
1985 |
Bogner, Dieter |
| The futurist gesture : futurism and the dance
|
1985 |
Martin, Marianne W. |
| Programmusik nach Werken bildender Kunst
|
1985 |
Salmen, Walter |
| Fernand Léger and the "Ballets Suédois": The Pursuit of Collaborative Ideals in Performance
|
1985 |
Freeman, Judi |
| The integration of art, music and theater in Italian Futurist performance
|
1985 |
Silk, Gerald |
| Affectation and 'sprezzatura' in 16th- and early 17th-century Italian painting, prosody and music
|
1985 |
Sohm, Philip L. |
| Décors et mises en scène d'opéra en Italie de 1870 à 1914 : imaginaire, opéra et peinture de la scapigliatura au symbolisme
|
1985 |
Cogeval, Guy |
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