| Ornement et esthétique chez Kant
|
1989 |
Trottein, Serge |
| Pictures inside and outside the head
|
1989 |
Kosslyn, Stephen M. |
| Imperiale und demokratische Repräsentationskunst
|
1989 |
Fillitz, Hermann |
| L' art du monde : le problème des "universaux"
|
1989 |
Chastel, André |
| Geometrical bodies as exemplary forms in Renaissance space
|
1989 |
Kemp, Martin |
| Urbanisme conceptuel
|
1989 |
Corboz, André |
| Constantinople and Cappadocia in the eleventh century : center and periphery
|
1989 |
Grishin, Alexander D. |
| The medieval architectural module : generating and ornamental concept
|
1989 |
Bucher, François |
| A geometrical system of city design in the ancient world based on equilateral triangles
|
1989 |
Brun, Richard |
| Exeter and Italy : assimilation and adaptation of a style ; the question of Italian Trecento sources in the sculptured front of Exeter Cathedral (fourteenth century)
|
1989 |
Muratova, Ksenija D. |
| Le cas de "L'art suisse"
|
1989 |
Gamboni, Dario |
| The theory of centripetal implosion and the birth of Gothic architecture
|
1989 |
Gardner, Stephen |
| The Christian use of the tetragram
|
1989 |
Reuterswärd, Patrik |
| Central issues and peripheral debates in seventeenth-century art literature : Carlo Cesare Malvasia's, Felsina Pittrice
|
1989 |
Perini Folesani, Giovanna |
| L' échiquier et la forme "tableau"
|
1989 |
Damisch, Hubert |
| Depiction and perception
|
1989 |
Peacocke, Christopher |
| Problems of Central European art, c. 1400 : the Thomas de Coloswar altarpiece in Hungary
|
1989 |
Török, Gyöngyi |
| The relation between the abstract and phenomenal elements in the work of Vojtěch Preissig
|
1989 |
Vlček, Tomáš |
| The transfer of Mithraic iconography from Central Asia to Rome
|
1989 |
Lozinski, Bohdan Philip |
| Lace-design methods in late medieval Spain
|
1989 |
Donaire, Alberto |
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