| Using art history : the Louvre and its public persona, 1848 - 52
|
2002 |
Weisberg, Gabriel P. |
| Art history on the academic fringe : Taine's philosophy of art
|
2002 |
Morton, Mary G. |
| "For connoisseurs" : the Burlington Magazine, 1903 - 11
|
2002 |
Leahy, Helen Rees |
| Viollet-le-Duc and Taine at the École des Beaux-Arts : on the first professorship of art history in France
|
2002 |
Hotchkiss Walsh, Philip |
| Deep innovation and mere eccentricity : six case studies of innovation in art history
|
2002 |
Carrier, David |
| Hearing the unsaid : art history, museology, and the composition of the self
|
2002 |
Preziosi, Donald |
| Art history and modernism
|
2002 |
Mansfield, Elizabeth C. |
| From Boullée to Bilbao : the museum as utopian space
|
2002 |
McClellan, Andrew |
| The taste of angels in the art of darkness : fashioning the canon of African art
|
2002 |
Steiner, Christopher B. |
| Tradesmen as scholars : interdependencies in the study and exchange of art
|
2002 |
Gaskell, Ivan |
| A preponderance of practical problems : discourse instituionalized and the history of art in the United States between 1876 and 1888
|
2002 |
Rosenberg, Eric M. |
| Photographic perspectives : photography and the institutional formation of art history
|
2002 |
Bohrer, Frederick Nathaniel |
| Instituting genius : the formation of biographical art history in France
|
2002 |
Thomas, Greg M. |
| How canons disappear : the case of Henri Regnault
|
2002 |
Gotlieb, Marc |
| Art photography, history, and aesthetics
|
2002 |
Soussloff, Catherine M. |
| Emancipation and the freed in American sculpture : race, representation, and the beginnings of an African American history of art
|
2002 |
Nelson, Steven D. |
| Marburg, Harvard, and purpose-built architecture for art history, 1927
|
2002 |
Brush, Kathryn |
| Colonizing culture : the origins of art history in Australia
|
2002 |
Strecker, Jacqueline |
| Silent moves : on excluding the ethnographic subject from the discourse of art history
|
2002 |
Farago, Claire J. |
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