| German art - national expression or world language? : two visual essays
|
2002 |
Gillen, Eckhart |
| Telling stories museum style
|
2002 |
Rosenthal, Mark |
| Repetition and novelty : exhibition tell tales
|
2002 |
Mainardi, Patricia |
| Murder, autopsy, or dissection? : art history divides artists into parts ; the cases of Edgar Degas and Claude Monet
|
2002 |
Brettell, Richard R. |
| Afterword
|
2002 |
Brilliant, Richard |
| Eloquent walls and argumentative spaces : displaying late works of Degas
|
2002 |
Kendall, Richard |
| Constructing histories of Latin American art
|
2002 |
Ades, Dawn |
| www.display : complicating the formats of art history
|
2002 |
Stafford, Barbara Maria |
| A case for active viewing
|
2002 |
Truettner, William H. |
| Whose art history? : curators, academics, and the Museum Visitor in Britain in the 1980s and 1990s
|
2002 |
Deuchar, Stephen |
| A tormented friendship : French impressionism in Germany
|
2002 |
Zimmermann, Michael F. |
| Art history and its audience : a matter of gaps and bridges
|
2002 |
Ebert-Schifferer, Sybille |
| A history of absence belatedly addressed : impressionism with and without Mary Cassatt
|
2002 |
Pollock, Griselda |
| The blockbuster, art history, and the public : the case of origins of impressionism
|
2002 |
Tinterow, Gary |
| Between academic and exhibition practice : the case of Renaissance studies
|
2002 |
Beyer, Andreas |
| Possibilities for a revisionist blockbuster : landscapes/impressions of France
|
2002 |
House, John |
| Magnanimity and paranoia in the big bad art world
|
2002 |
Gaskell, Ivan |
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