Whose art history? curators, academics, and the Museum Visitor in Britain in the 1980s and 1990s

Gespeichert in:

Bibliographische Detailangaben
Veröffentlicht in:	The two art histories / Sterling and Francine Clark Art Institute, Williamstown, Mass. Ed. by Charles W. Haxthausen
1. Verfasser:	Deuchar, Stephen (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2002
Schlagworte:	Geschichte 1800-2000 > Museumsorganisation > Großbritannien
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!

Titel	Jahr	Verfasser
Constructing histories of Latin American art	2002	Ades, Dawn
www.display : complicating the formats of art history	2002	Stafford, Barbara Maria
Between academic and exhibition practice : the case of Renaissance studies	2002	Beyer, Andreas
Possibilities for a revisionist blockbuster : landscapes/impressions of France	2002	House, John
Magnanimity and paranoia in the big bad art world	2002	Gaskell, Ivan
A case for active viewing	2002	Truettner, William H.
Whose art history? : curators, academics, and the Museum Visitor in Britain in the 1980s and 1990s	2002	Deuchar, Stephen
A tormented friendship : French impressionism in Germany	2002	Zimmermann, Michael F.
Art history and its audience : a matter of gaps and bridges	2002	Ebert-Schifferer, Sybille
A history of absence belatedly addressed : impressionism with and without Mary Cassatt	2002	Pollock, Griselda
The blockbuster, art history, and the public : the case of origins of impressionism	2002	Tinterow, Gary
German art - national expression or world language? : two visual essays	2002	Gillen, Eckhart
Telling stories museum style	2002	Rosenthal, Mark
Repetition and novelty : exhibition tell tales	2002	Mainardi, Patricia
Murder, autopsy, or dissection? : art history divides artists into parts ; the cases of Edgar Degas and Claude Monet	2002	Brettell, Richard R.
Afterword	2002	Brilliant, Richard
Eloquent walls and argumentative spaces : displaying late works of Degas	2002	Kendall, Richard