Images of American women in the 1930s : Reginald Marsh and Paramount Picture
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1998 |
Doss, Erika |
Thomas Cole and Jacksonian America : the Course of Empire as political allegory
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1998 |
Miller, Angela |
'Ariadne' and the Indians : Vanderlyn's neoclassical princess, racial seduction, and the melodrama of abandonment
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1998 |
Lubin, David M. |
American folk art : questions and quandaries
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1998 |
Vlach, John Michael |
Albums of war : on reading civil war photographs
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1998 |
Trachtenberg, Alan |
Trapper, hunter, and woodsman : Winslow Homer's Adirondack figures
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1998 |
Tatham, David |
Florine Stettheimer : rococo subversive
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1998 |
Nochlin, Linda |
Lifting the "veil" : Henry O. Tanner's 'The Banjo Lesson' and 'The Thankful Poor'
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1998 |
Wilson, Judith |
New Mexican santos and the preservation of religious traditions
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1998 |
Wroth, William |
The "earnest, untiring worker" and the magician of the brush : gender politics in the criticism of Cecilia Beaux and John Singer Sargent
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1998 |
Burns, Sarah |
"In my family of primitiveness and tradition" : William H. Johnson's 'Jesus and the Three Marys'
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1998 |
Powell, Richard J. |
Reading eighteenth-century American family portraits : social images and self-images
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1998 |
Lovell, Margaretta M. |
Columbus and Columbia : man of genius meets generic women, Chicago, 1893
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1998 |
Sund, Judy |
Two sculptures for the Capitol : Horatio Greenough's 'Rescue' and Luigi Persico's 'Discovery of America'
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1998 |
Fryd, Vivien Green |
Thomas Eakins and "pure art" education
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1998 |
Johns, Elizabeth |
American art and national identity : the 1920s
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1998 |
Baigell, Matthew |
Coming of age : historical sholarship in American art
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1998 |
Corn, Wanda M. |
George Caleb Bingham's 'The County Election' : whig tribute to the will of the people
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1998 |
Husch, Gail E. |
Who will paint New York? : the world's new art center and the New York paintings of Georgia O'Keeffe
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1998 |
Chave, Anna C. |
George Bellow's 'Stag at Sharkey's' : boxing, violence, and male identity
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1998 |
Haywood, Robert E. |