The perception of beauty in landscape in the Quattrocento

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Bibliographische Detailangaben
Veröffentlicht in:	Concepts of beauty in Renaissance art / ed. by Francis Ames-Lewis and Mary Rogers
1. Verfasser:	Cole, Alison (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	1997
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Titel	Jahr	Verfasser
"La più bella e meglio lavorata opera' : beauty and good design in Italian Renaissance architecture	1997	Clarke, Georgia
Poetry in motion : beauty in movement and the Renaissance conception of "leggiadrìa"	1997	Fermor, Sharon
The notion of beauty in Francesco Bocchi's "Bellezze della città di Fiorenza", I	1997	Frangenberg, Thomas
The biological basis of Renaissance aesthetics	1997	Onians, John
Michelangelo's Christian neoplatonic aesthetic of beauty in his early "oeuvre" : the "nuditas virtualis" image	1997	Snow-Smith, Joanne
Defining the beautiful in early Renaissance Germany	1997	Morrall, Andrew
Vasari's interpretation of female beauty	1997	De Girolami Cheney, Liana
The artist as beauty	1997	Rogers, Mary
Venetian glass and Renaissance self-fashioning	1997	Hills, Paul
Beauty as an aesthetic and artistic ideal in late fifteenth-century Florence	1997	Hemsoll, David
The perception of beauty in landscape in the Quattrocento	1997	Cole, Alison
"Condecenti et netti..." : beauty, dress and gender in Italian Renaissance art	1997	Bridgeman, Jane
Giovanni Sabadino degli Arienti and a practical definition of magnificence in the context of Renaissance architecture	1997	Shepherd, Rupert
Resplendent vessels : Parmigianino at work in the Steccata	1997	Vaccaro, Mary
The notion of beauty in Francesco Bocchi's "Bellezze della città di Fiorenza", II	1997	Williams, Robert

The perception of beauty in landscape in the Quattrocento