| Botticelli's Primavera : a lesson for the bride
|
1992 |
Zirpolo, Lilian H. |
| The taming of the blue : writing out color in Italian Renaissance theory
|
1992 |
Reilly, Patricia L. |
| Judy Chicago's Dinner Party : a personal vision of Women's history
|
1992 |
Withers, Josephine |
| Lee Krasner as L.K.
|
1992 |
Wagner, Anne Middleton |
| Modernity and the spaces of femininity
|
1992 |
Pollock, Griselda |
| The Virgin's one bare breast : nudity, gender, and religious meaning in Tuscan early Renaissance culture
|
1992 |
Miles, Margaret R. |
| The erotics of absolutism : Rubens and the mystification of sexual violence
|
1992 |
Carroll, Margaret D. |
| Secluded vision : images of feminine experience in nineteenth-century Europe
|
1992 |
Higonnet, Anne |
| Gauguin's Tahitian body
|
1992 |
Brooks, Peter |
| The MoMa's Hot Mamas
|
1992 |
Duncan, Carol |
| Constructing myths and ideologies in Matisse's Odalisques
|
1992 |
Board, Marilynn Lincoln |
| Edgar Degas and French Feminism, ca. 1880 : the young Spartans", the brothel monotypes, and the bathers revisited
|
1992 |
Broude, Norma |
| Afrofemcentrism and its fruition in the art of Elizabeth Catlett and Faith Ringgold
|
1992 |
Tesfagiorgis, Freida High W. |
| Women in frames : the gaze, the eye, the profile in Renaissance portraiture
|
1992 |
Simons, Patricia |
| The muted other : gender and morality in Augustan Rome and eighteenth-century Europe
|
1992 |
Kampen, Natalie |
| Renoir and the natural woman
|
1992 |
Garb, Tamar |
| Going native : Paul Gauguin and the invention of primitivist modernism
|
1992 |
Solomon-Godeau, Abigail |
| Ladies shot and painted : female embodiment in surrealist art
|
1992 |
Caws, Mary Ann |
| Egalitarian vision, gendered experience : women printmakers and the WPA / FAP Graphic Arts Project
|
1992 |
Langa, Helen |
| The Loggia dei Lanzi : a showcase of female subjugation
|
1992 |
Even, Yael |
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