| Titian's Sacred and Profane Love and marriage
|
1992 |
Goffen, Rona |
| "L'art féminin" : the formation of a critical category in late nineteenth-century France
|
1992 |
Garb, Tamar |
| Morisot's Wet Nurse : the construction of work and leisure in impressionist painting
|
1992 |
Nochlin, Linda |
| Georgia O'Keeffe and feminism : a problem of position
|
1992 |
Lynes, Barbara Buhler |
| Leonardo da Vinci : female portraits, female nature
|
1992 |
Garrard, Mary D. |
| "Disagreeably hidden" : construction and constriction of the lesbian body in Rosa Bonheur's Horse Fair
|
1992 |
Saslow, James M. |
| Race riots, cocktail parties, Black Panthers, moon shots and feminists : Faith Ringgold's observations on the 1960s in America
|
1992 |
Sims, Lowery Stokes |
| Botticelli's Primavera : a lesson for the bride
|
1992 |
Zirpolo, Lilian H. |
| The taming of the blue : writing out color in Italian Renaissance theory
|
1992 |
Reilly, Patricia L. |
| Judy Chicago's Dinner Party : a personal vision of Women's history
|
1992 |
Withers, Josephine |
| Lee Krasner as L.K.
|
1992 |
Wagner, Anne Middleton |
| Modernity and the spaces of femininity
|
1992 |
Pollock, Griselda |
| The Virgin's one bare breast : nudity, gender, and religious meaning in Tuscan early Renaissance culture
|
1992 |
Miles, Margaret R. |
| The erotics of absolutism : Rubens and the mystification of sexual violence
|
1992 |
Carroll, Margaret D. |
| Secluded vision : images of feminine experience in nineteenth-century Europe
|
1992 |
Higonnet, Anne |
| Gauguin's Tahitian body
|
1992 |
Brooks, Peter |
| The MoMa's Hot Mamas
|
1992 |
Duncan, Carol |
| Constructing myths and ideologies in Matisse's Odalisques
|
1992 |
Board, Marilynn Lincoln |
| Edgar Degas and French Feminism, ca. 1880 : the young Spartans", the brothel monotypes, and the bathers revisited
|
1992 |
Broude, Norma |
| Afrofemcentrism and its fruition in the art of Elizabeth Catlett and Faith Ringgold
|
1992 |
Tesfagiorgis, Freida High W. |
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