| Botticelli's Primavera : a lesson for the bride
|
1992 |
Zirpolo, Lilian H. |
| The taming of the blue : writing out color in Italian Renaissance theory
|
1992 |
Reilly, Patricia L. |
| Judy Chicago's Dinner Party : a personal vision of Women's history
|
1992 |
Withers, Josephine |
| Lee Krasner as L.K.
|
1992 |
Wagner, Anne Middleton |
| Edgar Degas and French Feminism, ca. 1880 : the young Spartans", the brothel monotypes, and the bathers revisited
|
1992 |
Broude, Norma |
| Afrofemcentrism and its fruition in the art of Elizabeth Catlett and Faith Ringgold
|
1992 |
Tesfagiorgis, Freida High W. |
| Women in frames : the gaze, the eye, the profile in Renaissance portraiture
|
1992 |
Simons, Patricia |
| The muted other : gender and morality in Augustan Rome and eighteenth-century Europe
|
1992 |
Kampen, Natalie |
| Renoir and the natural woman
|
1992 |
Garb, Tamar |
| Going native : Paul Gauguin and the invention of primitivist modernism
|
1992 |
Solomon-Godeau, Abigail |
| Ladies shot and painted : female embodiment in surrealist art
|
1992 |
Caws, Mary Ann |
| Egalitarian vision, gendered experience : women printmakers and the WPA / FAP Graphic Arts Project
|
1992 |
Langa, Helen |
| The Loggia dei Lanzi : a showcase of female subjugation
|
1992 |
Even, Yael |
| Culture, politics, and identity in the paintings of Frida Kahlo
|
1992 |
Helland, Janice |
| The discourse of others : feminists and postmodernism
|
1992 |
Owens, Craig |
| Titian's Sacred and Profane Love and marriage
|
1992 |
Goffen, Rona |
| "L'art féminin" : the formation of a critical category in late nineteenth-century France
|
1992 |
Garb, Tamar |
| Morisot's Wet Nurse : the construction of work and leisure in impressionist painting
|
1992 |
Nochlin, Linda |
| Georgia O'Keeffe and feminism : a problem of position
|
1992 |
Lynes, Barbara Buhler |
| Leonardo da Vinci : female portraits, female nature
|
1992 |
Garrard, Mary D. |
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