| Mineral analogs : Carleton Watkins's photographs and the gold standard
|
2024 |
Bravo, Monica |
| [Rezension von: Megan Doherty: Engraving accuracy in early modern England. - 2022 // Melissa Lo: Skepticism's pictures. - 2023]
|
2024 |
Noyes, Ruth S. |
| [Rezension von: Taylor Arnold: Distant viewing. - 2023 // Diana Kamin: Picture-work. - 2023]
|
2024 |
Pugh, Emily |
| [Rezension von: Grafted arts : art making and taking in the struggle for Western India, 1760-1910 / Holly Shaffer. - 2022 // The place of many moods : Udaipur's painted lands and India's eighteenth century / Dipti Khera. - 2020]
|
2024 |
Kavuri-Bauer, Santhi |
| Introduction: art history after computer vision
|
2024 |
Mansfield, Elizabeth C. |
| Computer vision in the Archives
|
2024 |
Pugh, Emily |
| The identikit problem
|
2024 |
Ledbury, Mark |
| Data and computer vision
|
2024 |
Russell, John |
| Cultural evolutionary modeling in the data-driven humanities
|
2024 |
Desplanque, Kathryn |
| "A different kind of struggle" : Jacob Lawrence's "Hospital" series and the politics of art as therapy
|
2024 |
Sheehan, Tanya |
| After art history? : artworks as data
|
2024 |
Brown, Kathryn |
| "Spanish" casta paintings in nineteenth-century Britain
|
2024 |
Earle, Rebecca |
| "Interior decorator is dead"
|
2024 |
Friedman, Alice T. |
| Sewn in place : gender, materiality, and mapmaking in the early United States
|
2024 |
Eager, Elizabeth |
| [Rezension von: Cold War camera / Thy Phu, Andrea Noble, Erina Duganne. - 2023]
|
2024 |
Collier, Delinda |
| Love, luxury, and live spectacle : narrative paintings and women's patronage under the Northern Wei
|
2024 |
Xu, Jin |
| Dancing through Dada : Suzanne Duchamp's Scottish Espagnole
|
2024 |
Kwartler, Talia |
| [Rezension von: Jasmine Nichole Cobb: New growth. - 2022]
|
2024 |
Barber, Tiffany E. |
| Welcome to the gayborhood : Beacon Hill between the wars
|
2024 |
Murphy, Kevin D. |
| Closer looking : computer vision in material studies of art
|
2024 |
Mintie, Katherine |
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