Fear and loathing of the academic, or just what is it that makes the avant-garde so different, so appealing?

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Bibliographische Detailangaben
Veröffentlicht in:	Art and the academy in the nineteenth century / ed. by Rafael Cardoso Denis and Colin Trodd
1. Verfasser:	Barlow, Paul (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2000
Schlagworte:
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Titel	Jahr	Verfasser
Private advantage and public feeling : the struggle for academic legitimacy in Edinburgh in the 1820s	2000	Forbes, Duncan
Auditing the RA : official discourse and the nineteenth-century Royal Academy	2000	Fyfe, Gordon
Hidden from histories : women history painters in early nineteenth-century France	2000	Doy, Gen
Cultivation and control : the 'Masterclass' and the Düsseldorf Academy in the nineteenth century	2000	Vaughan, William
Academic orthodoxy versus Pre-Raphaelite heresy : debating religious painting at the Royal Academy, 1840 - 50	2000	Giebelhausen, Michaela
Academic cultures : the Royal Academy and the commerce of discourse in Victorian London	2000	Trodd, Colin
Academicism, imperialism and national identity : the case of Brazil's Academia Imperial de Belas Artes	2000	Cardoso, Rafael
Leighton : the aesthete as academic	2000	Prettejohn, Elizabeth
Fear and loathing of the academic, or just what is it that makes the avant-garde so different, so appealing?	2000	Barlow, Paul
From graphic to academic	2000	Arscott, Caroline
The lure of Rome : the academic copy and the Académie de France in the nineteenth century	2000	Duro, Paul