Oblique perspective as ironical point of view in Hogarth's engraved series
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Veröffentlicht in: | The dumb show / Voltaire Foundation. Ed. by Frédéric Ogée |
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
1997
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Titel | Jahr | Verfasser |
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"The most contemptible meanness that lines can be formed into"? : Hogarth and the "other" arts | 1997 | Georgel, Pierre |
The artist at work : a (de)constructive view of Hogarth's Beer Street | 1997 | Wagner, Peter |
Oblique perspective as ironical point of view in Hogarth's engraved series | 1997 | Martinet, Marie-Madeleine |
Hogarth the empiricist | 1997 | Baridon, Michel |
The nature of satire in the "modern moral subjects" | 1997 | Bindman, David |
Hagarty, not Hogarth? : the true defender of English "wit and humour" | 1997 | Krysmanski, Bernd |
Artists and artistes in Hogarth's work | 1997 | Carré, Jacques |
The discourse on crime in Hogarth's graphic works | 1997 | Wagner, Peter |
Capital art : Hogarth's London | 1997 | Porter, Roy |
Aesthetics and empiricism : the ideological context of Hogarth's series of pictures | 1997 | Ogée, Frédéric |
"And Universal Darkness buries All" : Hogarth and excess | 1997 | Ogée, Frédéric |