Hagarty, not Hogarth? the true defender of English "wit and humour"
Gespeichert in:
| Veröffentlicht in: | The dumb show / Voltaire Foundation. Ed. by Frédéric Ogée |
|---|---|
| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
1997
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| "The most contemptible meanness that lines can be formed into"? : Hogarth and the "other" arts | 1997 | Georgel, Pierre |
| The artist at work : a (de)constructive view of Hogarth's Beer Street | 1997 | Wagner, Peter |
| Oblique perspective as ironical point of view in Hogarth's engraved series | 1997 | Martinet, Marie-Madeleine |
| Hogarth the empiricist | 1997 | Baridon, Michel |
| The nature of satire in the "modern moral subjects" | 1997 | Bindman, David |
| Capital art : Hogarth's London | 1997 | Porter, Roy |
| Aesthetics and empiricism : the ideological context of Hogarth's series of pictures | 1997 | Ogée, Frédéric |
| Hagarty, not Hogarth? : the true defender of English "wit and humour" | 1997 | Krysmanski, Bernd |
| Artists and artistes in Hogarth's work | 1997 | Carré, Jacques |
| The discourse on crime in Hogarth's graphic works | 1997 | Wagner, Peter |
| "And Universal Darkness buries All" : Hogarth and excess | 1997 | Ogée, Frédéric |