| Concluding remarks : some reflections on tribal gossip and other metaphors
|
1999 |
Scheller, Robert W. |
| The memory of the painter : Delacroix's Journal
|
1999 |
Hannoosh, Michèle |
| A lost work by a forgotten artist : Gerard de Lairesse's stage set "De Hofgallery"
|
1999 |
Vries, Lyckle de |
| Giovan Pietro Bellori and the loss and restoration of (ancient) painting in Rome
|
1999 |
Joyce, Hetty |
| Cults of the past
|
1999 |
Hajós, Géza |
| Cemetery politics in 19th-century Paris : the manipulation of memorials, memory and mourning
|
1999 |
Pantano, Nadine A. |
| Indian ironies, or British commemorative sculpture and (re)shaped memory
|
1999 |
Groseclose, Barbara |
| Drawing up plans in the mental studio : a mannerist scenario for the invention of compositions
|
1999 |
Akker, Paul van den |
| Farcical Jan, Pier the Droll : Steen and the memory of Bruegel
|
1999 |
Westermann, Mariët |
| Trying to forget : the lost Angevin past of Italy
|
1999 |
Bruzelius, Caroline Astrid |
| Graffiti as a medium for memoria in the early and high middle ages
|
1999 |
Jäggi, Carola |
| Antal and his critics : a forgotten chapter in the historiography of the Italian Renaissance in the twentieth century
|
1999 |
Krohn, Deborah L. |
| Private tomb and public altar : the origins of the mausoleum choir in Rome
|
1999 |
Blaauw, Sible de |
| Destruction, oubli et mémoire
|
1999 |
Gamboni, Dario |
| The Fondo Cicognara in the Vatican Library : inventing the art library of the future
|
1999 |
Fehl, Philipp P. |
| The places of painting : the survival of mnemotechnics in Christian von Mechel's gallery arrangement in Vienna (1778 - 1781)
|
1999 |
Meijers, Debora J. |
| Correggios "Leda" : ein verdrängtes Bild
|
1999 |
Röske, Thomas |
| Die Berliner Mauer : ein verschwindendes Denkmal
|
1999 |
Dolff-Bonekämper, Gabriele |
| Modern art and oblivion : an introduction
|
1999 |
Troy, Nancy J. |
| Strategic oblivion : 1970s feminist art in 1980s art history
|
1999 |
Jones, Amelia |
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