Ekphrasis, oubli et mémoire restitution du cycle pictural de la Chapelle Royale de Lisbonne

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Bibliographische Detailangaben
Veröffentlicht in:	Memory & oblivion / ed. by Wessel Reinink, Jeroen Stumpel
1. Verfasser:	Sobral, Luís de Moura (VerfasserIn)
Format:	UnknownFormat
Sprache:	fre
Veröffentlicht:	1999
Schlagworte:	Geschichte 1640-1755 > Sakralbau > Lissabon
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!

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Titel	Jahr	Verfasser
Video, ergo sum? : die Kunstgeschichte der virtuellen Bilder zwischen Erinnerungs- und Projektionstechnik	1999	Clausberg, Karl
Damnatio memoriae in the medieval sculpture of Southern Croatia	1999	Fisković, Igor
The case of Latvian art between 1940 - 1990 and after	1999	Flood, Biruta
Archaeology of the Apocalypse : cinema and authoritarian regimes in Argentina	1999	Oubiña, David
The Escorial as an example of the "new architecture of the new Christian antiquity" : a study in the problem of legitimation during the Spanish Renaissance	1999	Van Cleempoel, Koenraad
Linked or merged? : collecting and the enduring problem of arranging visual information	1999	Stafford, Barbara Maria
Collection as creation : Isabella Stewart Gardner's Fenway Court	1999	Docherty, Linda Jones
Laugier's plans for Saint-Denis : a forerunner to Lenoir's Musée des Monuments Français?	1999	Hurley, Cecilia
The "monumentomania" of the nineteenth century : causes, effects, and problems of study	1999	Berggren, Lars
The Hamburg Bismarck monument as "lighthouse of national thought"	1999	Lang, Karen
The fabrication of sacred memory : the decoration of the duomo and S. Maria Maggiore in sixteenth-century Bergamo	1999	Knox, George
Auftraggeber und Nachbesitzer : Handänderungen mittelalterlicher Bilderhandschriften und deren Folgen für die Stifterbilder	1999	Bräm, Andreas
Les groupes 'in' et les artistes 'outsiders' de l'art brut	1999	Valdes, Sylvia
Memory and oblivion in contemporary American art : the lesson of Artforum	1999	Carrier, David
Memories of a monument : the competition for a monument to The Unknown Political Prisoner, London 1953 - a discussion of the powers of sculpture that never existed	1999	Lapp, Axel
The ambiguous duality between hero and devil : Max Beckmann reinvents Goethe's Faust in his Amsterdam exile	1999	Forster-Hahn, Françoise
Art history for the millennium : the theme of "time" and the London conference in the year 2000	1999	Llewellyn, Nigel
The archive's silent record : anti-semitism and the formation of Aby Warburg's "cultural science"	1999	Schoell-Glass, Charlotte
The Military Gallery in the Winter Palace (the Hermitage) : international aspects of the national memorial	1999	Andreeva, Galina
Le mythe de la "Collection Desjardins" et la constitution d'une tradition artistique au Québec	1999	Lacroix, Laurier

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