| A woman's power of prayer versus the devil in a book of hours of ca. 1300
|
1999 |
Bennett, Adelaide |
| Looking eastward : the story of Noe at Monreale Cathedral
|
1999 |
D'Emilio, James |
| The personal appropriation of iconographic forms : two Franciscan signatures
|
1999 |
Fleming, John |
| The architecture and sculpture of the portal of the south side of Arezzo Cathedral
|
1999 |
Freni, Giovanni |
| Nipples, entrails, severed heads, and skin : devotional images for Madame Marie
|
1999 |
Stones, Alison |
| Interpictoriality in the Limoges chasses of Stephen, Martial, and Valerie
|
1999 |
Hahn, Cynthia J. |
| "Of the significance of colours" : the iconography of colour in Romanesque and early Gothic book illumination
|
1999 |
Petzold, Andreas |
| How to improve art-historical services
|
1999 |
Heusinger, Lutz |
| Iconclass and its application to primary documents
|
1999 |
Dowd, Carol Togneri |
| Translating ICONCLASS and the connectivity concept of the Iconclass2000 browser
|
1999 |
Berg, Jörgen van den |
| The iconography of "The ship of state" by Peter Paul Rubens : a variant on the theme "Hercules am Scheidewege"
|
1999 |
Huisstede, Peter van |
| Problems in the iconography of the art of the Crusaders in the Holy Land : 1098 - 1291 / 1917 -1997
|
1999 |
Folda, Jaroslav |
| The iconography of rejection : Jews and other monstrous races
|
1999 |
Hassig, Debra |
| Daring conflation? : a difficult image in the Genesis sequence of the Eton roundels (Eton College, Ms. 177, f.2r)
|
1999 |
Henry, Avril |
| The persistence of mythological, religious, and literary narratives as subject of works of art
|
1999 |
Roberts, Helene E. |
| Ululas Athenas : owls to Athens
|
1999 |
Brandhorst, Hans Eberhard |
| Moral structure in the Ashburnham Pentateuch
|
1999 |
Verkerk, Dorothy Hoogland |
Tag hinzufügen