| The clarity of the mysterious and the obscurity of the familiar : Friedrich and Turner
|
1996 |
Kroeber, Karl |
| Byron and sculpture
|
1996 |
Heffernan, James A. W. |
| The contemplative mode
|
1996 |
Roston, Murray |
| Bare versus prismatic style : Newton, Piranesi and eighteenth-century theories of abstraction in art and science
|
1996 |
Stafford, Barbara Maria |
| Genius, ingenium, imagination : aesthetic theories of production from the Renaissance to Romanticism
|
1996 |
Klein, Jürgen |
| Imagination in the transcendental poetics of Novalis
|
1996 |
Rommel, Gabriele |
| Physiology of perception : Achim von Arnim's pratical and historical aesthetics
|
1996 |
Burwick, Roswitha |
| Immortality or monstrosity? : reflections on the sublime in romantic literature and art
|
1996 |
Mellor, Anne K. |
| How dreams become poems : Keats's imagined sculpture and re-vision of epic
|
1996 |
Hirst, Wolf Z. |
| "... as if one's eyelids had been cut away" : imagination in Turner, Friedrich, and David
|
1996 |
Traeger, Jörg |
| Pigment into light : Turner, and Goethe's "Theory of Colour "
|
1996 |
Finley, Gerald E. |
| Verbal and visual modes of imagination
|
1996 |
Burwick, Frederick |
| "The dark total idea" : Schiller on the creative process
|
1996 |
Hofmann, Werner |
| Grounds for change : Wordsworth, Constable and the uses of place
|
1996 |
Hotchkiss, Wilhelmina L. |
| Turner and Shelley : the sense of a comparison
|
1996 |
Bone, J. Drummond |
| Shelley, Medusa, and the perils of ekphrasis
|
1996 |
Scott, Grant F. |
| Blake's Laocoön and Job : or, on the boundaries of painting and poetry
|
1996 |
Burwick, Frederick |
| Poet and painter : Beaumont's illustrations in the poetry of William Wordsworth
|
1996 |
Davis, Norma S. |
| In other voices : Wackenroder's Herzensergießungen and the creation of a romantic mythology
|
1996 |
Furst, Lilian R. |
| The parricidal imagination : Schiller, Blake, Fuseli and the Romantic revolt against the father
|
1996 |
Meller, Horst |
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