The "Artists" have come out and the "British" remain the Whistler faction at the Society of British Artists
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Veröffentlicht in: | After the pre-Raphaelites / Prettejohn, Elizabeth (Hrsg.) |
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1. Verfasser: | |
Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
1999
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Titel | Jahr | Verfasser |
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Physical culture : the male nude and sculpture in late Victorian Britain | 1999 | Hatt, Michael |
Edward Burne-Jones's The Mirror of Venus : surface and subjectivity in the art criticism of the 1870s | 1999 | Flint, Kate |
Poynter and the arty | 1999 | Arscott, Caroline |
The image in the middle : John Addington Symonds and homoerotic art criticism | 1999 | Davis, Whitney |
Whistler, Swinburne and art for art's sake | 1999 | Spencer, Robin |
Rossetti and the scandal of art for art's sake in the early 1860's | 1999 | Grieve, Alastair |
The "British Matron" and the body beautiful : the nude debate of 1885 | 1999 | Smith, Alison |
Walter Pater and aesthetic painting | 1999 | Prettejohn, Elizabeth |
The "Artists" have come out and the "British" remain : the Whistler faction at the Society of British Artists | 1999 | Koval, Anne |
Nature and abstraction in the aesthetic development of Albert Moore | 1999 | Asleson, Robyn |
Versions of the Annunciation : Wilde's Aestheticism and the message of beauty | 1999 | Cruise, Colin |