| Introduction : tender hands and rough stone: sculpture's stereotypes of gender and making
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2024 |
Frasca-Rath, Anna |
| "Death, like a sculptor" : archaeology, materials and text in Harriet Hosmer's "Pompeian Sentinel"
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2024 |
Gustin, Melissa L. |
| [Rezension von: Simone Leigh / edited by Eva Respini, 2023]
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2024 |
Davis, Lexington |
| The parish church of empire : sculpture and imperialism at St Paul's Cathedral, c. 1796-1916
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2024 |
Edwards, Jason |
| Soiled bodies : unearthing the colonial Caribbean in the memorials of Ralph Abercromby, John Moore and Thomas Picton, c. 1803-1816
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2024 |
Shearwood, Gemma |
| Deluge and fertility : early monuments to administrators of British India in St Paul's Cathedral, 1804-1835
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2024 |
Sullivan, Greg |
| Incursions, incisions, omissions : liberal imperialism, violence and British Southeast Asia in Francis Leggatt Chantrey, "Major General Robert Rollo Gillespie", and Joseph Edgar Boehm, "Richard Southwell Bourke, sixth earl of Mayo"
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2024 |
Monks, Sarah |
| Visualizing North Africa in Barkentin & Krall's monument to James Augustus Grant
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2024 |
Hewitson, Madeline |
| Monuments to "settlement" : Australia in St Paul's Cathedral, 1888-1913
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2024 |
Nichols, Kate |
| Looking south : making monuments to the British Antarctic Expedition
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2024 |
Gapp, Isabelle |
| Sculptural friends and relations and their marble surfaces : Roubiliac's busts of Henry, 9th Earl of Pembroke, and his other busts at Wilton House
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2024 |
Baker, Malcolm |
| [Rezension von: Woman in art : Helen Rosenau's 'little book' of 1944 / Griselda Pollock. London : Paul Mellon Centre for Studies in British Art, 2023]
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2024 |
Feeke, Stephen |
| "Anybody can do sculpture, it is purely mechanical" : Harriet G. Hosmer and the relation between sculpture, reproduction and machine invention
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2024 |
Altınoba, Buket |
| [Rezension von: Escala : escultura, 1945-2000 / Penelope Curtis, Manuel Fontán del Junco, Inés Vallejo (eds.), 2023]
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2024 |
Vervoort, Stefaan |
| [Rezension von: Les fondeurs de bronze dans la Rome des papes (1585-1630) / Emmanuel Lamouche, 2022]
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2024 |
Levy, Evonne Anita |
| Elasticity in twentieth-century sculpture
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2024 |
Ströbele, Ursula |
| "Weighted with the Past" : commemorating New Zealand - Edward Onslow Ford's memorial to Sir George Grey
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2024 |
Matthiesson, Sophie |
| Imperial Canada as a training ground for empire
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2024 |
Manica, Katrina-Eve N. |
| Violence into virtue : "liberal empire" and Victorian statuary in St Paul's Cathedral
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2024 |
Das, Santanu |
| The beginnings of cartapesta and papier mâché : material choices, recipes and makers in Italy and Germany
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2024 |
Marchand, Eckart |
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