| Clay analysis
|
1999 |
Farrell, Eugene F. |
| The Fogg "Silence" : a bozzetto by Melchiorre Cafà
|
1999 |
Montagu, Jennifer |
| Technical observations and petrographic analysis
|
1999 |
Sigel, Anthony B. |
| Bernini drawings and bozzetti for the Ponte Sant'Angelo : a new look
|
1999 |
Weil, Mark S. |
| Borghini, Félibien, and five angels for the Altar of the Blessed Sacrament
|
1999 |
Hemingway, Colette Czapski |
| Fingerprints
|
1999 |
Lloyd, Nancy |
| Decorative coatings on the "St. Longinus" and "St. Ambrose" modelli
|
1999 |
Roth, Kendra |
| Bernini's "St. Ambrose" for the "Cathedra Petri" : a model and the metamorphosis of a figure
|
1999 |
O'Grody, Jeannine Alexandra |
| Technical studies : rationale and techniques
|
1999 |
Lie, Henry |
| Of clay, and the initial stages of sculpture
|
1999 |
Hemingway, Colette Czapski |
| The clay modeling techniques of Gian Lorenzo Bernini
|
1999 |
Sigel, Anthony B. |
| An economy of Seventeenth-century clay sculptors'model
|
1999 |
Gaskell, Ivan |
| Bronze casts after bozzetti and modelli by Bernini
|
1999 |
Bewer, Francesca Gabrielle |
| Prints and privileges : regulating the image in 16th-Century Italy
|
1998 |
Pon, Lisa |
| Behind the line : the materials and techniques of Old Master Drawings
|
1998 |
Saywell, Edward |
| Tiepolo in Madrid : the Fogg "Aeneas" Sketch Investigated
|
1993 |
Gaskell, Ivan |
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