[Rezension von: Choreography, visual art and experimental composition 1950s -1970s / Erin Brannigan. - 2022]
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2023 |
Best, Susan |
Old/new: the anti-gatekeeping method
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2023 |
Tello, Verónica |
The rescue of William D'Oyly : colonial castaway encounters and the imperial gaze
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2023 |
Chandler, Lisa |
'Ai Pōhaku, Stone Eaters : affirmation, defiance, and Kānaka 'Ōiwi visual culture today
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2023 |
Kahu'āina Borderick, Drew |
Embodying oceanic relationality : an introspective of the 2022 Hawai'i Triennal
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2023 |
Ku'uleinapuananioliko'awapuhimelemeleolani Furtado, Nicole |
The visiting curators
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2023 |
Eshrāghi, Léuli |
Personal tributes delivered at "Celebrating emeritus professor Virginia Spate AC FAHA, 1937-2002", University of Sydney, 10 November 2022
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2023 |
Ledbury, Mark |
Queer curatorial relations : a dialogue on five recent projects
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2023 |
Barrett, Frances |
[Rezension von: Iconomy : towards a political economy of images / Terry Smith. - 2022]
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2023 |
Fielke, Giles |
Risky business : Ivan Durrant versus the National Gallery of Victoria
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2023 |
Marshall, Christopher R. |
I am Gordon Bennett
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2023 |
Butler, Rex |
Dispersed subjects
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2023 |
Nguyen, James |
VNS matrix-pilled : three propositions for revisting 1990s cyberfeminist art now
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2023 |
Hurst, Cameron |
A peripatetic virgin : a seventeenth-century ivory carving from Manila in the National Gallery of Victoria
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2022 |
Martin, Matthew |
The siren and the satyr as spiritual curatives in Jacob Meydenbach's Hortus sanitatis
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2022 |
Mahoney, Catherine |
The foreign and the out-of-place in Melbourne's early modern collections
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2022 |
Dunlop, Anne |
[Rezension von: Doing feminism : women's art and feminist criticism in Australia / Anne Marsh, 2021. - xi, 531 Seiten . - (Miegunyah volumesvolume 200)] : extended review
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2022 |
Hurst, Cameron |
The "women's show" after House of Slé
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2022 |
Miskell, June |
A case study of the blind healer in early modern Europe
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2022 |
Stone, Kerrianne |
[Rezension von: Daniel Thomas : recent past : writing Australian past / edited by Hannah Fink and Steven Miller, foreword by Michael Brand [und ein weiterer]. - 2020]
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2022 |
Bonyhady, Tim |