What Paris saw Roland Fréart de Chambray on optics and perspective

Gespeichert in:

Bibliographische Detailangaben
Veröffentlicht in:	Imitation, representation and printing in the Italian Renaissance / ed. by Roy Eriksen and Magne Malmanger
1. Verfasser:	Frangenberg, Thomas (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2009
Schlagworte:	Fréart, Roland > Optik
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!

Titel	Jahr	Verfasser
Michelangelo : separating theory and practice	2009	Wallace, William E.
Tampering with temples : antiquity in the Catholic Reformation	2009	Tschudi, Victor Plahte
Homage to the Queen : Sofonisba Anguissola's Self-portrait in the Musée Condé	2009	Kolrud, Kristine
What Paris saw : Roland Fréart de Chambray on optics and perspective	2009	Frangenberg, Thomas
Raphael's new architectural agenda	2009	Hemsoll, David
The palace of Charles V in Granada and two drawings from the school of Raphael	2009	Davies, Paul
Prospettiva, andàte e ritorno : geometry and illusion in pictorial space, from Brunelleschi to Roman painting in antiquity, and back to the Renaissance	2009	Marcussen, Marianne
Further musings on Raphael's Parnassus	2009	Pon, Lisa
Davanti al trono del papa : tradizione e trasformazione di una formula pittorica da Giotto a Vasari	2009	Rohlmann, Michael
Emblems in Jesuit education practice : the case of Santo Stefano Rotondo in Rome	2009	Monssen, Leif Holm
Imitation, representation and printing : introduction	2009	Eriksen, Roy T.
Some observations on Cellini's bust of Cosimo I	2009	Lange Malmanger, Anna
The shadows of Leonardo's Annunciation and their lost legacy	2009	Fiorani, Francesca
On energeia	2009	Guest, Clare Estelle Lapraik
Rise and fall of the designer	2009	Malmanger, Magne