| The National Museum of Beirut : crossing into a border
|
2008 |
Hamel, Catherine |
| From media art to techno culture : reflections on the transformation of the avant-gardes
|
2008 |
Kluszczyński, Ryszard W. |
| A turning point in Japanese avant-garde art, 1964 - 1970
|
2008 |
Kusahara, Machiko |
| You are now leaving the American sector : the Russian group 'Dvizhenie', 1962 - 1978
|
2008 |
Tillberg, Margareta |
| Vitalist technocultural thinking in revolutionary Russia (on Piotr Engelmeier)
|
2008 |
Goriunova, Olga |
| Meaningful shifts : towards an 'Institute for Southern Modernities (ISMs)' ...
|
2008 |
Zielinski, Siegfried |
| Stepanova's 'Laboratories'
|
2008 |
Aristarchova, Irina Leonidovna |
| Radical migration : media theory as a subversion of discourse and dialogue
|
2008 |
Röller, Nils |
| Genetic algorithms, Caucasian carpets, and 'Kunstwollen'
|
2008 |
Marks, Laura U. |
| The Computation Center at Madrid University, 1966 - 1973 : an example of true interaction between art, science and technology
|
2008 |
Moraga Guerrero, Eva |
| Encoding motion in the early computer : knowledge transfers between studio and laboratory
|
2008 |
Century, Michael |
| Anonymous history as methodology : the collaborations of Sigfried Giedion, Jaqueline Tyrwhitt, and the 'Explorations' Group (1951 - 55)
|
2008 |
Darroch, Michael |
| Humans thinking like machines : incidental media art in the Swedish welfare state
|
2008 |
Gansing, Kristoffer |
| Corridors of practice : technology and performance art on the North American Pacific Coast in the 1970s and early 1980s
|
2008 |
Seck Langill, Caroline |
| The enduring ephemeral, or the future is a memory
|
2008 |
Chun, Wendy Hui Kyong |
| The confluence of computing and fine arts at the University of Sydney, 1968 - 1975
|
2008 |
Jones, Stephen |
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