| Thomas Cole and the aristocracy
|
1998 |
Wallach, Alan |
| Narratives of the female body : The Greek Slave
|
1998 |
Kasson, Joy S. |
| The Gross Clinic or Portrait of Professor Gross
|
1998 |
Johns, Elizabeth |
| Mary Cassatt : painter of women and children
|
1998 |
Pollock, Griselda |
| John Sloan's images of working-class women : a case study of the roles and interrelationships of politics, personality, and patrons in the development of Sloan's art, 1905 - 16
|
1998 |
Hills, Patricia |
| Winslow Homer and his art
|
1998 |
Prown, Jules David |
| O'Keeffe and the masculine gaze
|
1998 |
Chave, Anna C. |
| The painter's triumph : William Sidney Mount and the formation of a middle-class art
|
1998 |
Oedel, William T. |
| The question of difference : Isabel Bishop's deferential office girls
|
1998 |
Todd, Ellen Wiley |
| The seventeenth-century New England mercantile image : social content and style in the Freake portraits
|
1998 |
Craven, Wayne |
| Image and ideology : New York in the photographer's eye
|
1998 |
Trachtenberg, Alan |
| "A correct likeness" : culture and commerce in nineteenth-century rural America
|
1998 |
Jaffee, David |
| The open window and the empty chair : Charles Sheeler's View of New York
|
1998 |
Troyen, Carol |
| Jackson Pollock : representing the unconscious
|
1998 |
Leja, Michael |
| Charles Willson Peale's expressive design : The Artist and His Museum
|
1998 |
Stein, Roger B. |
| Character end class: the portraits of John Singleton Copley
|
1998 |
Staiti, Paul |
| The birth of a national icon : Grant Wood's American Gothic
|
1998 |
Corn, Wanda M. |
| The ideal works of Edmonia Lewis : invoking and inverting autobiography
|
1998 |
Buick, Kirsten P. |
| "Doomed to perish" : George Catlin's depictions of the Mandan
|
1998 |
Hight, Kathryn S. |
| "The Kiss of the Enterprise" : the western landscape as symbol and resource
|
1998 |
Anderson, Nancy K. |
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