| Tutivillus
|
2009 |
Grössinger, Christa |
| Obscenity as the woodworker's last laugh
|
2009 |
Kline, Naomi Reed |
| Looking for fun in all the wrong places : humour and comedy in moralizing prints
|
2009 |
Scillia, Diane G. |
| A sacred text profaned : seven women fight for the breeches
|
2009 |
Gibson, Walter S. |
| Iconographie des charniers, des ossuaires et des aîtres à travers la France médiévale
|
2009 |
Bethmont-Gallerand, Sylvie |
| Where the Abbot carries dice : gaming-board misericords in context
|
2009 |
Hall, Mark A. |
| Flying low down under : representations of winged mammals, fowl, and birds on English misericords
|
2009 |
Philips, Sarah |
| Passionate pilgrims : secular lead badges as precursor of "emblemata amatoria"
|
2009 |
Stockhorst, Stefanie |
| An iconography of shame : German defamatory pictures of the Early Modern Era
|
2009 |
Meyer, Silke |
| The lost print collection of Ferdinand Columbus (1488 - 1539)
|
2009 |
McDonald, Mark P. |
| The mermaid in the church
|
2009 |
Pearson, Terry |
| [Rezension von:] Mellinkoff, Ruth: Averting demons : the protective power of medieval visual motifs and themes. - Los Angeles, 2004
|
2009 |
Jones, Malcolm |
| Misinterpretazions in the margins
|
2009 |
Hardwick, Oz |
| Misericords as an interpretative tool in the study of choir stalls
|
2009 |
Tracy, Charles |
| Misericords and the world of Bruegel
|
2009 |
Block, Elaine C. |
| "Diabolus in musica" dans les stalles médiévales : significations du désordre musical
|
2009 |
Billiet, Frédéric |
| Romance among the choir stalls : Middle English romance motifs on English misericords
|
2009 |
Fellows, Jennifer |
| Screening the Middle Ages : costumes and objects as Medieval signifiers in "The Adventures of Robin Hood" (1938)
|
2009 |
Levy, Brian J. |
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