˜Theœ colour of canvas historical practices for bleaching artists'linen

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Bibliographische Detailangaben
Veröffentlicht in:Preparation for painting / ed. by Joyce H. Townsend, Tiarna Doherty ...
1. Verfasser: Heydenreich, Gunnar (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: 2008
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Titel Jahr Verfasser
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European documentary sources before c. 1550 relating to painting grounds applied to wooden supports : translation and terminology 2008 Nadolny, Jilleen
Delaminating paint films at the end of the 1950s : a case study on Pierre Soulages 2008 Helou- de La Grandière, Pauline
˜Theœ mechanical response of flour-paste grounds 2008 Carlyle, Leslie
˜Theœ colour of canvas : historical practices for bleaching artists'linen 2008 Heydenreich, Gunnar
Canvas and its preparation in early twentieth-century British paintings 2008 Morgan, Sarah
˜Anœ icon of St. George : preparation for a portrait of a saint 2008 Harrison, Lynne
Grounds on canvas 1600 - 1640 in various European artistic centres 2008 Martin, Élisabeth
Historically accurate ground reconstructions for oil paintings 2008 Carlyle, Leslie
Comparing contemporary titanium white-based acrylic emulsion grounds and paints : characterisation, properties and conservation 2008 Ormsby, Bronwyn A.
Cold temperature effetcs of modern paints used for priming flexible supports 2008 Young, Christina
Filling materials for easel paintings : when the ground reintegration becomes a structural concern 2008 Fuster-Lopéz, Laura
Not just panel and ground 2008 Skaug, Erling S.
Flocked canvases : a special fabric for pastel paintings 2008 Segel, Kathrine
Selective darkening of ground and paint layers associated with the wood structure in seventeenth-century panel paintings in seventeenth-century panel paintings 2008 Noble, Petria
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